Concerning Klimt's Application Of Decorative Performance Language In Painting

Gustav ? Klimt (1862-1918) is the Vienns Secession master and his painting style is very bold and unique. His works have a strong sense of form decoration and the symbolic meaning. The most characteristic of the Klimt's painting is that putting the decorative language into the painting, in the pursuit of the philosophical content in painting, using the symbolic artistic, just the unique decorative style and form of language performance, obtained with the different artistic effects of other artists. Aesthetics of a general observation, Klimt's painting can only be regarded as a hodgepodge of some images and styles,but in fact it was a dynamic experimental exploration for the new information and new language in new era.The late 19th century is an important period for modern art in Europe to be conceived, born and developed. Various thoughts and new fashion arts from large cities sprung up in Vienna Austria, and art-exchanging actives were performed very frequently. Klimt's artistic ideas transformed a lot under the shocks between tradition and modern. Klimt broke through traditional college-painting methods, emphasized on artistic originality and pursued a more open and experimental attitude. This article from the composition, shape, color and manufacturability mainly analyses on Klimt's decorative uses of language performance. It should turn out which decorative languages he blended in the painting and what parts the languages played in emphasizing the key subject. It also aims to perceive the experiments and exploration from this painting master in the field of decorative painting, as well as his impact on modern designs and art of painting.