| At the end of the19th century of Europe, art was full of fantasy and sensitive, the secession leader of Austria Vienna:Gustav Klimt (Gustav Klimt,1862-1918), he put forward a challenge to traditional European paintings in the pursuit of subjects in the way of philosophical and artistic symbolic. More of his artistic subject were complex and sensitive life of people, the pain and conflict of physical or mental. The practical adornment creed style of Klimt paintings were out of the symbolism finally, it created a new field out of a rebellion of western traditional painting.As a general aesthetic consciousness to observe klimt paintings, there are some unique images and the different forms of combination and construction, but it is the essence of that his full of experimental exploration course at the time of new age, new information and a kind of new language.The decorative painting of Klimt, its biggest characteristic is referencing on the basis of a large number of the Oriental art elements, and the combination of the organic and experimental elements of western art, form a decorative style of symbolism.This article mainly discusses the terms of color, lines, composition of klimt’s paintings and analysis of its decorative language, the language of adornment had a crucial effect for sublimation painting subject and a profound impact for experiment and exploration of modern painting art. |
