The Study Of Yang Jiduan’s Poetry And Ci

Yang Jiduan was a talented woman of Shu in the Qianjia period of the Qing Dynasty.With her travel experience in Jiangsu and Zhejiang,she formed a progressive side different from the traditional boudoir in thought,which also made her poetry creation have unique style characteristics.First of all,Yang Jiduan’s poems are rich in themes,including writing scenery,writing notes,singing gifts,writing paintings,and writing poems from the perspective of visitors traveling in other places,so they are more sad,sad,and sad.The language of the poem is simple and simple,the technique is clever and natural,and the artistic conception is elegant and bleak.And because Yang Jiduan has a heroic and valiant character,so that his poems in the deep and sincere emotional expression,so she formed her graceful tone and sometimes magnificent poetic style.Secondly,compared with the poems,Yang Jiduan’s ci from the perspective of the boudoir woman,more chanting words and love words,mainly to describe the boudoir life and the leisure.The whole style of the ci is "clear and graceful" style,which is reflected in the clear,elegant and soft language,clear and elegant ci environment,quiet and elegant interest,and the emotional expression in the words,which constitute the artistic characteristics of Yang duan’s elegant and soft words.Yang Jiduan turned her vision to the society and paid some attention to the social reality.In the face of the tragic real life brought about by the war and famine,she expressed his pity and concern for the poor people.Yang Jiduan’s poems potentially express the phenomenon of gender inequality between men and women diss,reflects a positive sense of social participation,has a heroic side different from the traditional boudoir women.All these reflect Yang Jiduan’s pursuit of self-life value,and show some characteristics of modern women.Although it is only hazy and not systematic,it can still be seen that she wants to break through the shackles of boudoir,and reflects Yang Jiduan’s ideological consciousness of progress.