Research And Creative Practice Of Calligraphy Style Of Tong Ouyang’s "Ouyang Tong’s Calligraphy"

Xun Ouyang and Tong Ouyang,as father and son calligraphers,were called "Big and Small Ouyang" by later generations,Xun Ouyang’s calligraphy art was recognized by the world in the Sui Dynasty,and after entering the Tang Dynasty,his calligraphy influence was more extensive,becoming the premier calligrapher in the early Tang Dynasty.However,little attention has been paid to the study of Tong Ouyang’s calligraphy.Tong Ouyang inherits the calligraphy style of his father Xun Ouyang,traces the ancient method,constantly pursues innovation,integrates a variety of artistic techniques,and finally forms his own unique artistic style.His " Quannansheng’s epitaph " is deeply influenced by his father,has its own unique value and personality characteristics,and has a high sense of breakthrough in art and family inheritance,which is his success.The study of Ouyang Tongkaishu is not only an analysis of Tong Ouyang’s personal calligraphy art,but also a study and reference for his learning experience.This paper aims to explore the origin and characteristics of Tong Ouyang’s style,and specifically analyze the steep,strange,and ancient winds of the " Quannansheng’s epitaph" Comparing the style of " Quannansheng’s epitaph " with Tong Ouyang’s other representative work "Daoyin Master Stele",I explore the changing context of Ouyang Tong’s writing style,and at the same time combine the author’s creative consciousness to integrate Tong Ouyang ’s penmanship and advantages into the pen,absorb nutrients,melt ancient and modern,and use it for my use.