On The Spread And Influence Of Ouyang Xun’s Calligraphy Style In The Unified Silla Period

China and the Korean peninsula have been surrounded by water and have communicated frequently since ancient times.During the reunification of Silla,the Tang Dynasty was a country with strong national strength and economic prosperity.Tang was one of the most advanced civilized countries in the world at that time.Tang culture spread all over the world,and calligraphy also had Its representation,the unified Silla actively absorbs the Tang culture,imitates the Tang system,and emulates in many aspects such as the Hanfu.The inscriptions in the unified Silla period in calligraphy are mostly fragments,which are more similar to the writing style of the Tang Dynasty.We can learn from these inscriptions Seeing the origin and development of his writing style at that time,Ouyang Xun was undoubtedly the most representative in terms of the number and characteristics of the inscriptions stored.The reason why Ouyang’ s writing style was highly sought-after at that time and its transmission path are analyzed by the author through historical data.And sort out to draw specific conclusions about the inheritance of the works and the calligraphers connected to each other.1.Ouyang Xun’ s kaiyuan Tong Bao,which he was ordered to write,laid a solid media foundation for ouyang Xun’ s international fame.2.As a calligraphy teacher,Ouyang Xun had excellent calligraphy skills and strict laws.His style of calligraphy was highly respected at that time.Later,Hongwen Museum cultivated a large number of successors of Ouyang Xun’ s style of calligraphy at home and abroad in the course of teaching.3.Religions of the two countries play a positive role in promoting the inheritance in exchanges,and there are a large number of monks who inherit ouyang Xun’ s style.The practical needs of the upper rulers and their preference for the Ouyang Xun’ s style permeated the whole Silla period from top to bottom.The first chapter of this paper is the introduction,which introduces the origin and scope of this topic,combs and discusses the background reference of relevant thesis literature,summarizes the research methods,and then obtains the research purpose and significance of this paper,highlights the difficulties and key points of the topic,and clarifies the awareness of problems.The second chapter gives an overview of the historical background of the exchange between Korea and China,mainly from the perspective of the changes in the historical dynasties,the development of the cultural transmission of Chinese characters and the eventual abolition of the official use.The third chapter introduces Ouyang Xun and his style of writing,from his life and thoughts to specific works to summarize the relationship between personality and style of writing.The fourth chapter mainly discusses the inheritance and influence of Ouyang Xun’ s style of style in the unified Silla period.Firstly,the paper summarizes and sorts out the status of gold and stone writings in Silla,then analyzes the reasons for the popularity of Ouyang Xun’ s style of writing in the unified Silla period,and discusses the influence of the horizontal and vertical lines of history and the subjective and objective factors.In the end,the Ouyang Xun’ s style calligraphers and the unified Silla period remains of Ouyang Xun’ s style works are sorted out and introduced.The fifth chapter concludes with a summary of the arguments above and a summary of the inheritance and influence of Ouyang Xun’s style of calligraphy on the Korean Peninsula.The author is well aware that these basic work is far from a complete explanation of the overseas influence of Ouyang Xun’s style of calligraphy.A thousand miles begins with a single step,so it needs further exploration in the future.In the dynasties after the unification of Silla,the circulation of the song edition and other media also enabled ouyang Xun’s influence to exist all the time.Due to the limited space and energy,this paper only makes a brief introduction in the epilogue.In the context of the historical context of the official abolition of The use of Chinese characters after the 1970s in South Korea,the purpose of this paper is to look into whether Chinese characters,as the carrier of calligraphy exchange between the two countries,can draw lessons from the history,so as to look forward to the future exchange trend of Chinese and South Korean calligraphy and the inheritance and revival of East Asian culture.