Calligraphy Style Study Of Epitaph Of Ma Guocheng In Tang Dynasty

In the study of the calligraphy art of epitaphs in the Tang Dynasty,running epitaphs are easy to be ignored by scholars.Emperor Taizong’s admiration for the running script of the two kings created a precedent for the running script to enter the monument,and had a far-reaching impact.The preface of Jiwang Shengjiao is the beginning of the inscription of Jiwang,and it is also one of the pioneers of running script inscription.The epitaph of Ma Guocheng to be studied in this paper is also influenced by the style of Jiwang Shengjiao preface.Ma Guocheng’s epitaph is a new epitaph written in running script in the late Tang Dynasty.At present,there is no research on the calligraphy style of this monument at home and abroad.This monument also has superb artistic achievements.This paper takes Ma Guocheng’s epitaph as the research object,which is mainly divided into three chapters.The first chapter mainly introduces the unearthed situation and related literature and history of Ma Guocheng’s epitaph.The second chapter analyzes the artistic style of calligraphy in Ma Guocheng’s epitaph from three aspects: brushwork,structure and composition.Secondly,compare it with Jiwang Shengjiao preface,infer that the style of Ma Guocheng’s epitaph is affected by the style of Jiwang Shengjiao preface,and then compare Ma Guocheng’s epitaph with Li sixun’s stele.Highlight the stable,quaint,elegant and correct calligraphy artistic style of Ma Guocheng’s epitaph.The third chapter mainly expounds the experience and experience of copying creation with Ma Guocheng’s epitaph as a temporary learning model,and solves a series of problems in copying creation.