Research On The Ethnic Memory And Aesthetic Presentation Of The Social Life Myth Of The Bai

The myth of the social life of the Bai is a prototype of artistic creation that the ancestors of the Bai start from themselves,take social life as the care,and integrate the historical memory and aesthetics of the Bai.As one of the important sources of Bai culture,the myth of social life mainly reflects the social life practice of the ancient Bai ancestors.Because of its close relationship with people’s daily life,it is in the physical culture layer,behavior culture layer,mentality culture layer of later generations.There is a rich aesthetic awareness closely related to the layer.It reflects the relationship between the source of Bai ethnic group’s aesthetic consciousness and its derived living water,and highlights the value of the myth of Bai ethnic group’s social life.From the perspective of social life mythology,the research on the aesthetic system and ethnic spirit of the Bai can draw strength from the development of the ethnic group’s own culture,which is conducive to the formation and development of socialist core values,and promotes the construction of modern spiritual civilization.The main body of the thesis is divided into four chapters:The first chapter is the cultural ecosystem generated by the myth of the social life of the Bai ,and introduces the natural geographical environment and historical and cultural environment on which the myth of the social life of the Bai is based."Jiufen Mountain and One Fenba",as a prominent feature of the natural geography of the Bai area,has an important impact on the content,genre,language and expression techniques of folk literature.Factors such as the economic environment and the level of productivity development,as well as the belief and cultural environment are also important reasons for the emergence of social life myths.The second chapter,the writing of ethnic memory in the social life myth of the Bai ,classifies the articles of the social life myth of the Bai according to the myth of the origin of the ethnic group,the myth of agricultural production and the myth of social order.The source of the development of practical activities,and its related social life practical life.The third chapter is the living presentation of the aesthetic memory of the social life myths of the Bai.It studies the aesthetic presentation of the material culture layer,the aesthetic presentation of the behavioral culture layer,and the aesthetic presentation of the mentality culture layer,and highlights the ethnic memory of the social life myth in it.render.At the same time,it analyzes the aesthetic consciousness displayed in it,and connects it with the historical memory in the myth of social life,and examines the origin of the ethnic aesthetic system.Necessary fieldwork was incorporated into the research process.The fourth chapter is the ethnic value orientation derived from the myth of social life,based on the presentation of ethnic memory and the multi-level aesthetic presentation of the myth of social life,so as to analyze the deep-level ethnic value orientation of the Bai ,and extract and summarize the ethnic spirit reflected by the aesthetic origin of the Bai.The social life myth of the Bai is an important source of ethnic spirit and ethnic values,and an indispensable part of building a ethnic aesthetic system.Exploring its ethnic memory and aesthetic presentation is of great significance for inheriting Bai’s literature and cultural traditions,building cultural confidence,and promoting the construction of contemporary spiritual civilization.