The Contemporary Expression Of Miao Ethnic Patterns In Public Art In Southeast Guizho

The Miao ethnic group is an ethnic group with a long history and culture.In the long historical process,although the Miao people have suffered from wars and hardships of migration,they turned these hardships into the driving force for ethnic development and formed a very attractive ethnic culture.The Miao people do not have an independent system of writing,so the Miao people use the Miao ornaments as a visual cultural carrier to describe historical myths,express ethnic emotions,and educate the people.The Miao ornaments are widely used in various fields of the production and life of the Miao people.The Miao ornaments used in clothing,architecture,production and living appliances contain the essence of the Miao ethnic culture such as religious beliefs,historical civilization,etc.,and are also the concentrated expression of the Miao aesthetic consciousness,so it has high cultural value and aesthetic value.As the development of public art in China has attracted more and more attention and attention from all walks of life,discussing the contemporary expression of ethnic culture in public art has become an important issue that meets the requirements of the times and the aesthetic needs of the public.The rise of public art provides a new way of inheritance for Miao culture.The application of Miao ornaments to public art can realize the aesthetic and cultural value of Miao ornaments in a way that the public likes and hears.The expression content of public art is also due to the profound Miao culture.It has a richer and longer-lasting flavor.The Miao ethnic group in southeastern Guizhou has a long history,a large population and complex branches.The Miao ethnic culture is relatively intact,the ethnic atmosphere is strong,and the tourism industry is relatively developed.It is of high value to study the application of Miao ornaments in this area in public art.This article focuses on the contemporary expression of Miao ethnic ornamentation in the public art of southeastern Guizhou,and conducts a relatively systematic research by using field investigation method,literature research method,multidisciplinary comprehensive research method and other methods.First of all,it mainly summarizes the history of the Miao ethnic group in southeastern Guizhou,analyzes the origin and changes of the Miao ornaments in southeastern Guizhou,classifies the traditional Miao ornaments in southeastern Guizhou,summarizes the expression characteristics of different types of Miao ornaments,and expounds the The inheritance status of the Miao ornaments in southeast China;secondly,it analyzes the choice of the national symbolic language in the creation of public art by the Miao ethnic group in Qiandongnan.The relationship between art and the public and public space,systematically summarize the function and value of public art,and analyze and study the characteristics of Miao ethnic ornamentation in different public art forms in southeastern Guizhou on the basis of on-the-spot investigation and document collection;thirdly,From the perspective of semiotics,taking the cultural totem,history and ethnic life of the Miao ethnic group as the breakthrough point,systematically analyzes the cultural metaphors of the Miao decorative symbols in southeastern Guizhou in the public space;then,according to the relevant theories such as cultural studies,aesthetics,ethnology,etc.,it analyzes and studies the aesthetic significance of the Miao ethnic ornaments in the public space of southeastern Guizhou,explores the formation and transformation of the Miao ethnic group’s aesthetic consciousness,and analyzes the application of the Miao ethnic ornaments in public spaces,in terms of structure,form,The color matching and the complexity and diversity of the Miao ethnic group’s aesthetic consciousness reflected in the display of ethnic symbols;finally,according to the relevant theories of public art and the actual application,the problems existing in the application of the Miao ethnic ornamentation in the public art of southeast Guizhou are discussed,and the Consider these questions accordingly.