| Since the appearance of religious architecture,it has shown its unique spiritual and cultural characteristics.Its function is spirituality.Compared with other architectural types,the spiritual experience and perception of religious architecture requires more delicate shaping and performance.The place and space are more like a trigger point.From the building,we fully mobilize the senses of experiencing emotions,trigger our imagination and memory,in the material entity and illusory time and space,proximity and distance,presence and absence,past and future,feeling and Complete the multi-sensory experience in your imagination.Such rich spiritual experience and spatial perception are extremely scarce in contemporary society.On the one hand,people are always in the midst of rapid,fragmented material consumption and visual wonders,gradually becoming cold and numb.On the other hand,the quality of contemporary religious buildings is also uneven.The domestic religious space is blindly imitated in form,without touching the deeper religious spiritual connotation,and the spiritual space is also neglected.Therefore,this paper focuses on the analysis and research of the "spiritual space" of religious buildings,and discusses the characteristics and shaping methods of the spiritual space of four types of religious buildings in Changsha,represented by the religious buildings in Changsha,the holy place of religion in Hunan.This article consists of six chapters.The first chapter which includes the academic background,content and significance,as well as the general situation of previous research on the spiritual space of religious buildings.The second chapter is about the basic theory,which sorts out the basic overview of the culture,belief and religious architecture of different types of religions.The third chapter refers to the concepts of "intuitive essence" and "personal experience" in related architectural spirituality research and perception phenomenology,focusing on the perspective of human perception and experience,and analyzes the spiritual space of various religious buildings involved in this article.The fourth chapter makes a horizontal comparison on the characteristics of spiritual space on the basis of analyzing all kinds of spiritual space separately,and draws the difference and similarity of spiritual space of different religious buildings.Based on above researches,The last two chapters summarizes the two aspects of the spiritual space design techniques of religious architecture,which are shaping the spiritual space with inner space,including the closed interface to divide the sacred and the secular,the scale form to form the movement and the static,and the space.The combination creates rhythm and order,materials and colors adjust time and eternity and external elements to render spiritual space,including place intention to awaken emotional resonance,natural intervention to render space artistic conception and physical perception to guide spiritual release.Through the research and summary of the methods of shaping the spiritual space of religious buildings in Changsha,I will make a little contribution to the design of the spiritual space of religious buildings,and improvement to the protection of religious culture.And then provide some reference for the continuation of traditional architectural culture in modern society. |
