Research On The Inheritance And Modern Transformation Of Danzhai Miao Batik Patterns From A Semiotic Perspectiv

Batik,as an important folk art,has typical regional characteristics and can reflect the unique production practice,creation concept and aesthetic concept of ethnic groups.Danzhai batik pattern is rich in subject matter,exquisite in schema and unique in color.It has a good visual effect of art decoration,and is of high research value in historical context,artistic form and creation thoughts.It is an important part of Miao culture.With the development of The Times,how to better continue the spiritual core of traditional batik patterns,innovate and integrate with the development of the new era,and highlight the ethnic cultural personality has become an urgent problem to be solved.This topic takes the batik pattern of the Miao ethnic group in Danzhai as the research object,systematically explains the relevant theories of semiotics,and dialectically analyzes the internal correlation between semiotics and batik pattern.This paper makes an in-depth interpretation of the typical symbol features and cultural connotations of Danzhai batik pattern from three aspects of language structure,semantics and pragmatics,deconstructs it into the symbolic pattern of language structure of "word-sentence-paragraph-chapter",and combs out the coding rules between the form and form,form and meaning,meaning and context of the pattern signs.Principles and methods of innovative translation of Danzhai batik pattern from the perspective of semiotics are sought to carry out innovative design practice of batik pattern,which verifies the feasibility and rationality of this theory,and thus helps the inheritance and innovative development of batik pattern in the new era.