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Research On Chinese Cultural Relic And Museum Variety Shows From The Perspective Of Carnival Theory

Posted on:2022-01-12Degree:MasterType:Thesis
Country:ChinaCandidate:X Y LiuFull Text:PDF
GTID:2518306728493114Subject:Theater, film and television
Abstract/Summary:PDF Full Text Request
At the beginning of the 21 st century,in order to seize the television market,Chinese cultural relic and museum programs have to be forced into the tide of variety show,it became cultural relic and museum variety shows,and gradually step out of the pace of carnival.Cultural relic and museum variety shows draw on the rich and diverse creative means of variety shows,and integrate it with their own content and style,thus forming collection appreciation type,museum exhibition type and reality show orientation type cultural relic and museum variety shows.From the mediation of Carnival and traditional ideas,to the combination of carnival and modern techniques,and then to the conspiracy of carnival and consumer culture,the carnival trace in cultural relic and museum variety shows has gradually clear.Cultural relic and museum variety shows inherit the culturality,universality and implication features of traditional cultural programs,and change the slow and serious tone of relic and museum programs.They use modern containers to carry classical cultural elements.Under the collision of classical and modern dualistic discourse,they stir up the color of carnival.In the hand in hand of the noble and ordinary to reflect the wholly national character,in the walking together of coronation and decapitation to express the ritual character,in the side by side of ancient and contemporary to show the equal character,in the joint performance of visual and auditory to propagate subversive character,cultural relic and museum variety shows boldly unite the spirit of carnival with traditional culture,which provides a new reference for the cultural variety shows at this stage.The external reason why cultural relic and museum variety shows can become the carrier of carnival spirit is that the high development of mass media has gathered a large number of audience base for cultural relic and museum variety shows;from the internal reason,it is the use of post-modernism art means to seize the interest of audiences;based on the internal and external forces,cultural relic and museum variety shows have aroused the audience's emotional resonance,firmly grasped the yearning of equality of audiences,and gave the audience more opportunities for two-way interaction and the right to self interpretation.It is the trend of the times that the selection of cultural relic and museum variety shows and carnival spirit hand in hand,and it is the inevitable choice for cultural relic and museum variety shows to improve their competitiveness.However,the road of cultural relic and museum programs to be variety with carnival spirit is not smooth,and many problems have been exposed.Such as the dislocation and excess of artistic techniques,the consumption and consumption of homogeneous content,and the ambiguity and deviation of value orientation,all the problem remind that cultural relic and museum variety shows still need to keep their original intention,innovate and forge ahead.
Keywords/Search Tags:cultural relic and museum variety show, carnival theory, popular culture, consumer culture, post modernity
PDF Full Text Request
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