Research On Idol Production Under The Participation Of Fans In The New Media Era

With the gradual progress and improvement of Internet technology,the construction and maturity of network platform,technology empowerment has a certain degree of impact on the audience's access to media production and idol production relying on media.The introduction of Internet technology makes the power of popular culture shift and fans have greater initiative.This paper selects the fans of "youth has you 2" as the research object,mainly using the methods of participatory observation,in-depth interview and questionnaire survey,deeply studies the behavior types,behavior influencing factors and behavior motivation of idol fans as consumers in the process of participating in the production of idols,and discusses which forces participate in and what influence they have.The innovation and value of the research lies in that many previous studies have focused on the text production of fans,but little has been involved in other participatory practice behaviors of fans,not touching every link of idol production,because this paper makes a systematic and comprehensive description and induction of various behaviors and their influences of fans of idol talent shows,so as to restore the idol fans It also expands the scope of the content and object of the research on the cultural level of active audience and fans.The introduction mainly discusses the research background and significance,research status,theoretical analysis framework and research methods of this paper;the first chapter of the text first discusses the behavior of fans participating in idol production in the new media era,divides the types of fans,specifically expounds the subdivision of fan groups and individual fans,and divides the behavior types of fans into producer behavior In the second chapter,the demographic characteristics of fans of youth have you 2 are obtained through questionnaire survey,and the influencing factors of fans' participation in idol production,that is,fans become consumers are discussed,and the motivation of fans' behavior is summarized through interviews and text analysis,This paper discusses the identity of fans,discusses the identity of fans comes from self-identity,group identity,and how to construct identity respectively;the fourth chapter expounds the influence of fans as consumers to participate in the production of idols,and how capital plays a role behind the participation of fans,and puts forward some suggestions on the benign development of idol industry in the future.In the new media era,fans' participation and discourse power in idol production have been greatly improved.They are no longer passive receivers of star making industry,but become participants and producers through active practice.In the context of high traffic,that is,they have high commercial value.Fans play the role of consumers and producers at the same time.The powerful consumption and production capacity of fans is affecting the operation of idol industry mode,enriching the connotation of fans' culture in the new media era,further promoting the development of mass culture,and producing certain social effects.But at the same time,fans' participation is not completely independent,and their initiative cannot be separated from the promotion of capital.Fans are well aware of the existence of this force,but their behavior is not perfect Can completely get rid of its influence,fans and capital negotiation and confrontation coexist,in the game to jointly promote the development of idol industry.