The Style Of The Inscriptions On The Three Instruments Of The King Of Zhongshan And The Exploration Of Temporary Creation

Most of the articles on the inscriptions of the Three Vessels of the King of Zhongshan are expounded from the cultural background and appreciation.This article focuses on its style,origin,evolution,influence,and creative practice.The research on the Three Vessels of the King of Zhongshan since unearthed,it can be roughly divided into the phase of textual research and interpretation,the phase of in-depth research and the phase of artistic creation and application research.Its style characteristics are mainly discussed in terms of stroke characteristics,the rules of the beauty of the shape of the font,and the rules of the composition.The S-line,vortex line,and pointed shoulders of the font are all its characteristics.The beauty of the knot is in accordance with the "golden section law",i.e."standing seven,sitting five,the regular beauty of "squatting three-and-a-half".Its overall artistic style is quiet,long,vigorous and elegant.The style origins of the inscriptions on the Three Vessels of the King of Zhongshan are mainly influenced by the Chu Zong Dingwen and Jianshushu.By comparison,it can be seen that Ganzhong,Zenghou Yizhong,Wangziwuding,Wangsun's left mouse clock,E Junqijie,and Wangsungaozhong.The King of Zhong shan can be found in the words such as: Rescue Qin Rongzhong,Zeng Ji's No-Shirt Pot,Shao Zhang Pian Zhong,Guodian Tomb Bamboo Slips,Zeng Hou Yi Tomb Bamboo Slips,etc.The shadow of the Sanqi inscription font,and a small number of characters are the inheritance of the oracle bone inscriptions and the continuation of the inscriptions.The inscription on the Three Vessels of Zhongshan King has a unique style,which is officially advocated and has a far-reaching influence.At the end of the Western Han Dynasty,the Xinmang dynasty strongly praised the fonts of the Zhongshan King's three vessel inscriptions.This type of font was cast on the Xinmang currency and bronze mirrors.Under the official initiative,this type of font began to penetrate into the writing of folk bamboo slips.Above,for example,the book Unpublished Chinese Bamboo Slips Obtained by Stein in the British National Library records the ink marks of this type of bamboo slips.In Zhang Huaiyuan's calligraphy,it is recorded that the calligrapher Cao Xi,who specializes in writing the three-piece inscriptions of the King of Zhongshan King,is the originator of this style.This font,which is called "hanging needle seal",is used by posterity.In the process of spreading the inscriptions on the Three Vessels of the King of Sun Yat-sen,the decorative pen symbols gradually disappeared,and the absorption of oracle bone inscriptions gradually decreased.In the part of temporary study exploration,the three processes of selecting posts,reading posts and temporary posts are introduced.Reading posts requires reading texts,reading people,reading skills,and reading meanings;The temporary post part clarifies the author's temporary study exploration from the study of strokes,radicals,single characters,and chapters;introduces the author's temporary study experience from four aspects: knife-carved inscriptions,simplification of complex techniques,artistic writing of writing,and characteristics of calligraphy.;The creation practice part elaborates the creation method of the collection of characters,combined with the creation practice,determines the selected content,checks the seal characters,determines the style,stamps,signs,writes,seals and seals the seven-step creation process,which focuses on the process of checking the seal characters.The use of seals for seal checking should follow the principle of proximity and the principle of backtracking.For seal checking,the ancient characters in Shuowen Jiezi can be used,and the writing methods of Tongjia and Xiaozhuan can also be used.In the final part of the summary,it is proposed to use the style of Zhongshan King's Three Vessel Inscriptions to make practical explorations in the field of hard pen calligraphy and seal cutting,and to further explore the integration of the three-ware inscriptions of the King of Zhongshan and the inscriptions of Shang and Zhou Dynasties.