The Exploration And Use Of "management Position" In The Creation Of Modern Meticulous Brushwork Flowers And Birds ——Take "September Autumn Dawn" As An Example

The theory of composition in painting has been continuously enriched and developed under the development of the times,and Kaizhi Gu refers to the composition of the picture as "placing the position of the layout",so as to emphasize that the composition of the painting should use the external form to highlight the momentum of the picture.Later,Sheikh summed up the experience of his predecessors and proposed the "six laws",of which the theory of "management position" ranked fifth in the "six laws".However,later generations also put forward different opinions,such as Yanyuan Zhang,Yigui Zou and others who advocated that "management position" was the first step in painting and played a programmatic role in artistic creation.In the development of practice,the contemporary "management position" theory is not only influenced by the "management position" of traditional Chinese painting,but also influenced by the composition and plane composition of Western painting,and the picture composition forms a variety of forms in practical creation.This remarkable change in the composition of the picture is due to the change in the way of thinking of contemporary art workers,which is embodied in the specific expression from focusing on the object itself to paying attention to the artist.What was formerly the charm of the business object itself is now the pen and ink fun of managing personal consciousness.This change reflects the process of Chinese art moving from the outside world to the depths of the soul,highlighting the process of valuing life.Due to the relatively shallow level of understanding of "management position",some contemporary art workers do not use it properly in the painting process,and the works they create are shallow,vulgar and straightforward.The author believes that the creation of emotional migration should be based on respect for nature,life experience as the source,this accumulation of learning needs a long process,not a day can be enlightened,the deeper meaning of painting need to slowly explore in order to epiphany.By exploring the changes in the composition of paintings,the author analyzes and discusses how personal emotions should be "managed" in the picture.In the first part,we briefly review the development of the theory of"management position" in brush painting,and conclude that the composition of modern brush painting has been influenced by traditional composition,western composition and plane composition,and presents diverse forms in the composition of the picture.In the second part,we analyze the composition of modern brush painting from three dimensions:traditional composition,western composition and planar composition.Firstly,we summarize the characteristics of traditional Chinese painting,analyze the classical examples of traditional composition,and consider how the author should use the characteristics of "creating momentum with form" in the context of Chinese painting in his work "September Autumn Dawn";secondly,we briefly analyze Secondly,we briefly analyze the classic examples of modern brush painting under the influence of western painting composition,and analyze how the author can develop his inner emotional "management" from the form of the outer frame and group expression in his work "September Autumn Dawn";finally,we briefly analyze the classic examples of modern brush painting under the influence of plane composition,and consider how the author can develop his inner emotional "management" through numerical values in his work "September Autumn Dawn".Finally,we briefly analyze the classical examples of modern brush painting under the influence of flat composition,and consider that the author’s work"September Autumn Dawn" can show the author’s emotional organization through numerical proportion and balance.In the third part,we analyze how the author’s five aspects of "September Autumn Dawn" show the"management position" of his inner emotions: the allegorical meaning of the materials selected,the inner power of the composition,the relationship between the main and secondary objects,the visual gravity of the black and white color blocks,and the emotional tone of the warm and cold color blocks.Finally,through the discussion and practical research of this topic,it is concluded that the "management position" of modern brush painting is the "management" in the picture through the interest of brush and ink,and the "management" of emotions in various aspects of the painting is explored."At the same time,it also reflects certain artistic aesthetics and artistic creativity in its exploration and application.