Film Expression And Spatial Image: A Screen Space Production Study In Chongqing(1997-2020)

Film is the seventh art of perfect integration of picture and sound,time and space.In the process of its creation and production,it not only covers the thickness of time,but also has the breadth of space.With the development of film and the interdisciplinary perspective of cinematics,researchers not only focus on the analysis of image text itself,but also focus on the research into the spatial narrative field of the film.The spatial creation in the film is inextricably linked to the construction of space in the city.The core of the research on film space production is based on the practice,presentation,expression and imagination of screen space.As a representative film shooting place with distinctive regional characteristics and rich urban styles in China,Chongqing’s important artistic charm lies in the director’ presentation and creation of Chongqing’s unique urban space,which provides a natural basis for introducing the theory of space production into the study of Chongqing’s urban film.Specifically,the so-called screen space of Chongqing refers to the urban image with exclusive spatial attributes finally constructed by film artists after choosing,processing and creating Chongqing as a landscape space.Of course,the screen space content of Chongqing is relatively rich.This article mainly starts from the problem of "space production in the screen" and explores how Chongqing in the screen will be built and transmuted in the period after its direct period of transition.Image change of Chongqing city on the screen? What interactions does Chongqing and Chongqing itself have on the screen? I hope to use these questions to explore the changes and significance of Chongqing’s cities in the film.In traditional film space-time research,researchers often put time first,reducing space’s behavior and ignoring the nature and importance of its spatial awareness and spatial structure.This paper will first clarify the construction and function of visual language on space in the film,analyze the role of space on time,and apply and implement the research on the construction of Chongqing city on the screen.At the same time,auditory language has strong supplementary functions to screen space,which is closely related to extending the urban area of Chongqing and expressing urban characteristics and connotation.After the direct jurisdiction of Chongqing,the spatial discourse of "Chongqing City on the Screen" is mainly reflected in the unconscious presentation of a red culture and background function.In this period,the audio-visual system constructed the historical significance of the space of "Chongqing City in the screen";with the acceleration of urbanization,the urban desire and root-seeking consciousness was before 2006.After that,centralized expression was carried out,and new reflections,new consumptions,and new mainstream discourses have all changed.This change has continuously updated the traditional spatial connotation of "Chongqing City on the screen".Around 2016,Chongqing’s urban landscape further moved towards industrialization,and emerging urban spatial expression is continuing to be tiled.When solving and emptying the culture and significance of the traditional "Chongqing City on the Screen",it is also reconstructing the spatial imagination of the new Chongqing city in the film.In addition to the audio-visual construction of Chongqing urban space in the screen,the important aspect of the research on screen space production in Chongqing is also the exploration of urban image expression and discourse expression.Whether it is the symbols,streets,nodes,borders and regions in the spatial imagery,or the landscape presentation,event reduction and spatial imagination expression in urban discourse,they are all conceived and developed in the specific spatial field of Chongqing in the screen.Together,they jointly build the narrative and table of Chongqing in the screen.The meaning of meaning can refer to and refer to.Of course,the dismantling and shaping of Chongqing’s cities in the screen are also affected by the development of the city itself and eventually react to the city,so that Chongqing’s unique cultural connotation and aesthetic charm are most prominent inside and outside the image.This will further enrich and expand the research on domestic film space production,and provide a better theoretical basis and realistic reference for the current research and creation of film in Chongqing.