Geo-cultural Research On Yimeng Films And Teleplay From The Perspective Of Spatial Production Theory

Based on the clear division and definition of the concepts of "Yimeng" and "Yimeng" film and television works,this paper sorts out and summarizes the logical basis of space production theory,space narratology theory and film geocultural theory.Based on the above-mentioned examples of film and television works related to the theory and the "Yimeng" theme film and television works,through the overall research on the "Yimeng" theme film and television works,the immanence of the "space ternary dialectics" in Yimeng region from the perspective of "space production" is summarized.The logical structure,and the geocultural representation of the "Yimeng" theme film and television works based on it,summarizes the Yimeng regional characteristics and the morphological construction of the cultural space embedded in the work,and based on the horizontal and vertical comparison of the "Yimeng" theme film and television works.It makes some reflections from the perspective,focuses on summarizing the difficult problems faced by its current development,and then proposes a creative breakthrough strategy that can be used for reference,and finally makes an outlook on the sustainable development of Chinese regional films.From point to line,from line to surface,taking "Yimeng" theme film and television works as the origin and support,taking "Yimeng" theme film and television works in history and current perspective as a complete research object,and focusing on discussing the spatial attributes contained in them and geocultural issues.This paper mainly discusses six chapters.The first chapter briefly explains and summarizes the origin of Lefebvre’s theory of space production.In addition,it clearly defines the related concepts of "Yimeng" film and television works,and briefly sorts out "Yimeng"."The creation and development of thematic film and television works.The second chapter focuses on the natural space,social space and spiritual space of the" spatial triadic dialectics " in Lefebvre’s theory of space production,and discusses the spatial attributes and geo-culture of Yimeng region,that is,the geopolitics and the relationship between Yimeng region’s geopolitics and spirituality.Cultural configuration,by closely combining Lefebvre’s theory of space production,it discusses and summarizes the geographical survival landscape,social space and spiritual space of Yimeng region.The third chapter is mainly based on the exploration of the Yimeng regional geo-culture in the second chapter,and makes a reasonable summary of the Yimeng regional geo-cultural representations presented in the " Yimeng " theme film and television works,and combines with Lefebvre Through the observation of geography and space through the theory of space production,through the cultural samples in historical myths and real fables,the retelling of historical myths from the perspective of " red " genre films,and the imaginative construction of national spiritual coordinates to develop a logical framework for the geography of Yimeng Demonstration of visual representation of spatial attributes.The fourth chapter is mainly based on Lefebvre’s theory of space production to make a rational induction of the aesthetic characteristics contained and manifested in the" Yimeng " theme film and television works.The reconstruction of imagination and order,the alternative writing of Yimeng’s " red " culture,memory collage and the presentation of the aesthetic characteristics of " space-time compression " in reproduction.The fifth chapter is mainly based on the conclusion of the spatial geo-aesthetic characteristics of" Yimeng " film and television works in the fourth chapter,and makes a reasonable and feasible aesthetic speculation,and integrates Lefebvre’s " spatial ternary dialectics " logic to " Yimeng "." The construction and representation of the three spatial dimensions of natural scenery,social landscape and national spiritual outlook presented in the film and television works with the theme of "Yimeng" will be explained and sorted out to a certain extent.Provide strategies and suggestions for the creative breakthrough of "Yimeng" theme film and television works,in order to provide a feasible way for the better development of the aesthetic presentation and creation of "Yimeng" theme film and television works at present and in the future.The sixth chapter expands the research vision of this paper to the breadth and height of the development of Chinese regional films,and observes the historical development and dynamic status of Chinese regional films from the history and the current development of "Yimeng" film and television works.To sum up,the characteristics of "natural material space","social space" and "spiritual space" are hidden in the "Yimeng" theme film and television works,and they are displayed as Yimeng’s geographical cultural attributes with the "red" spirit as the main content.The final destination of this thesis is through the exploration of the spatial attributes and geo-culture of "Yimeng" and the grasp of the overall aesthetic representation and speculative content of "Yimeng" film and television works,combined with the current situation of regional film creation and development in China,to deduce and summarize To find out the possible future creation trends and development paths of Chinese regional films,based on the local area,take a long-term perspective,and make rational reflections on the development and academic research of Chinese regional films in today’s changing times.