A Comparative Study Of Dobukur River And The Right Bank Of Erguna River From The Ethnic Perspective

SANA is a Daur female writer.The novel dobukur River,which takes the Oroqen as the theme,shows SANA’s concern for the survival status and future of the Oroqen.Chi Zijian’s novel "the right bank of Erguna River",which is based on the story prototype of "Aoluguya Ewenki people",describes the story of Ewenki people living in the countryside.SANA and Chi Zijian record the history and culture of Oroqen and Ewenki people in poetic words,And from the perspective of the Northeast ethnic minorities to focus on the survival and development of other ethnic minorities and even the Chinese nation in modern society.This paper is mainly composed of introduction,text and conclusion.The introduction first analyzes the similarities between the Oroqen and the Ewenki,clarifies the rationality of the topic selection,and combs the current research status of the works of SANA and Chi Zijian in the academic circles,as well as introduces the research methods used in this paper.The text is divided into three parts.The first part is about ethnic imagination and personal writing.By listing the works,it summarizes the rigid and strong writing style of SANA’s ethnic identity and Chi Zijian’s feminine experience,and summarizes the common writing style of SANA and Chi Zijian.Secondly,it expounds the influence of SANA’s ethnic identity on the style of ethnic literature creation,and the influence of Qi Zijian’s childhood experience on the style of ethnic literature creation with Oroqen as the theme,and the influence of Ewenki as the theme.The second part is the self reflection and writing of the ethnic culture in dobukur River and the right bank of Erguna river.Starting from the Shaman culture in the two writers’ texts,it focuses on the portrayal of the female shaman image in the religious culture of Oroqen and Ewenki,This paper combs the unique description of the worship of the ethnic totem culture and the dedication of Shaman women’s religious belief in dobukur River and the right bank of Erguna river.Secondly,it recalls the ancient memory of totem culture and describes the totem worship and sacrificial ceremony of ethnic minorities.This paper traces the connotation of ethnic culture derived from ethnic groups,refines the sincere feelings of ethnic minorities in their daily life,and explores the sense of protecting their homeland.The third part of the dobukur River and the right bank of the Erguna river cross ethnic discourse differences,compared with the dobukur River and the right bank of the Erguna River in the construction of the characters of the similarities and differences,analysis of different women’s speech differences and different types of characters.By studying the other’s description of the traditional life of ethnic minorities and the confusion of modern life,this paper reflects on the development of traditional culture in modernity and reveals the deep connotation of the conflict between tradition and modern.The conclusion of this paper,through the in-depth analysis of the texts of SANA and Chi Zijian,refines the similarities between SANA and Chi Zijian about the subjects and narrative patterns of the Oroqen and Ewenki,and as a supplement to this paper,draws a logical and meaningful conclusion when further analyzing the achievements and shortcomings of the two works.