| Calligraphy is the art of writing characters.It has both the practical value of the language and the artistic value of appreciation,as well as artistic expression methods such as pen,structure,composition,and ink.In the 5th to7th centuries,the Korean Peninsula was influenced by the culture of the Central Plains,using Chinese characters as its written text,leaving behind richer calligraphy materials such as the ink book inscriptions(墨书铭)and jinshi inscriptions(金石文).This article intends to sort out and analyze the archaeological remains and documents of the Korean Peninsula during this period,define the font style of the physical materials,and conduct a comparative study with the development context of calligraphy in the Central Plains to explore the evolution and characteristics of calligraphy in the Korean Peninsula.This thesis is divided into three parts: introduction,thesis,and conclusion.The first chapter is the introduction.It mainly summarizes the purpose and significance of this topicrela;the relevant research trends of domestic and foreign scholars;the research scope and methods;the concepts of writing techniques,including brushwork,ink technique,composition,structure,etc,and the development context of calligraphy from the pre Qin to the Ming and Qing Dynasties.The second,third and fourth chapters are part of this theory.The second chapter is an overview of the calligraphy art of the Central Plains around the5th and 7th centuries.Discuss the basic concepts and styles of calligraphy,sort out the history of calligraphy font changes in the Central Plains from the Wei,Jin,Southern and Northern Dynasties to the early Tang,explore the characteristics of calligraphy in the Central Plains in different period,analyze the official and Buddhist communication channels,and explore the influence of the Central Plains calligraphy on the calligraphy of the Korean Peninsula.It provides a theoretical basis for the later two chapters to study the calligraphy materials,calligraphy evolution and characteristics of the Korean Peninsula.The third chapter is the centralized arrangement and analysis of calligraphy materials on the Korean Peninsula.The textual materials[ink book inscriptions,stone inscriptions(石刻),upright stone tablet(碑碣),Buddhist inscriptions(佛像铭),wooden slips(木简)]of Gaogouli(高句丽),Silla(新罗),and Paekche(百济)during this period are comprehensively sorted,and the relevant materials involved in the historical issues such as the description of the lives of the people and the records of events are briefly summarized,and define the font style of each material.The fourth chapter is the study of the evolution and characteristics of the Korean Peninsula’s calligraphy.In the evolution of calligraphy,the development history of calligraphy from the disappearance of the seal script(篆书),the popularity of official script(隶书)to the appearance of regular script(楷书)is sorted out;in the aspect of characteristic research,it is discussed from three aspects:the evolution time of the character shape,the survival time of the official script and the formation of regular script.The fifth chapter is the conclusion part,which summarizes and improves the content of the full text. |