Research On Dubbing Style Of Domestic Documentaries In The Context Of The Times

Any artistic creation can’t get rid of the influence of the times,so can the dubbing style of documentaries.Since the development of Chinese documentaries,they have gone through four periods: politicization,humanism,civilianization and socialization.The civilianization period is only five years(1993-1998),and there is no big difference between the dubbing style and humanism period.Therefore,the dubbing styles of domestic documentaries are classified into: reading dubbing style in the era of "political education",plain dubbing style in the era of "documentary return",and multi-style dubbing style in the era of "mass culture".The era of "political education"(1958-1977)is still in the early stage of the founding of our country.Influenced by ideology,TV programs are endowed with strong political color.The creation principle of politics first leads to the limitation of documentary subject matter,and has to shoulder the responsibility of propaganda for the country.Therefore,in this era,documentary producers and dubbers have no room for self-exertion,and have gradually formed a strong and written reading dubbing style.In the era of "documentary return"(1978-1999),the documentary creation environment was relatively relaxed,and the attention of producers changed from heroes of the previous era to ordinary people.In order to fit the theme,close the distance with the audience,and form a relatively life-oriented plain dubbing style.The shooting equipment has been improved,and the producers try their best to make the documentary real and downplay the design,so they start to use actual sound in large quantities,and the dubbing function is slightly monotonous.In the era of "mass culture"(from 2000 to now),the audience’s demand has become the primary consideration in the production of programs,which is mainly reflected in the audience’s aesthetic demand and content demand for documentary dubbing;With the rapid development of media,documentaries have more choices of platforms,among which network media has cultivated a group of audiences with different personalities.In order to meet the needs of all audiences and keep up with the times,a multi-style dubbing style has been formed.The research methods are literature research,image collection,inductive analysis and creative practice,and the arguments put forward are applied to the creative practice of "Family Entering Taiji"."Tai Chi at Home" is a product of the mass culture era,which accords with the dubbing style of this era.The work consists of three parts,which are divided into three dubbing modes according to the content of the commentary: explanation,story and emotion.Considering the audience that Tai Ji Chuan is facing,it will finally be positioned and put into TV media.After the completion of the works and papers,reflect and summarize the problems in the process.