The Art Style Of Flower And Bird Painting In Zhangzhong

In the development of flower and bird painting in the Yuan Dynasty for nearly a century,under the influence of the aesthetic thought theory of Zhao Mengfu,Qian Xuan and others,the Yuan Dynasty painting went through an unprecedented great change,which directly affected the ink flower and ink bird painting rising in the late Yuan Dynasty.Zhang Zhong,as one of the representative painters of the Yuan Dynasty,made his own outstanding contribution in the process of turning fine beauty from the Yuan Dynasty ink painting to the ink painting freehand brushwork,which promoted the development process of the Yuan Dynasty ink painting and influenced many painters in the Ming Dynasty in artistic conception,ink taste and aesthetic pursuit.In view of the limited information,Zhang Zhonghua bird painting art style has been learned People do not pay enough attention.Zhang Zhong is a literati painter in Songjiang area,whose art style of flower and bird painting impels the Yuan Dynasty ink flower and ink flower and bird painting from setting color to ink,fine brushwork to freehand brushwork,writing environment to build up the bridge role in the process of creating environment,which is worthy of further study.Through collecting a large number of historical data,it is found that more attention is paid to self in the art of flower and bird painting in Zhangzhong,in order to pursue the relaxed freedom of the soul,the mood of man and nature shines each other,and the unique artistic style is vivid and vivid,simple and rich.In this paper,the characteristics of the style of Zhangzhong flower and bird painting are analyzed firstly,with the lightness and peace in the meaning of the work,the simplified choice in the shape and the trend of the subject matter Activation,composition of the layout of the ingenious and ink language these aspects of the elaboration.Art work is the subjective feeling that the picture presents to the viewer,and the reason behind the art style is the essence of unlocking style formation.Taking Zhangzhong flower and bird painting art style as the breakthrough point,the causes of its flower and bird painting art style are divided into two aspects: subjective factor and objective factor.Subjective factors from the main identity of Zhang Zhong,the formation of flower and bird painting art style and his character characteristics,interpersonal communication,painting ideas and so on are closely linked,these individual shaping is also Zhang Zhong to improve self-effective way.Zhang Zhong’s flower and bird painting art style is not only influenced by self-shaping,but also by external factors,and makes itsflower and bird painting gradually mature.However,in this process is the accumulation and superposition of a variety of factors,is not an overnight style of painting Lattice mutation,first from the social macro-level analysis,Zhang Zhong flowers and birds painting into the social environment to explore,to avoid singularity.Secondly,starting with the change of painting materials in Yuan Dynasty,it shows the role of painting tool materials in the artistic creation of flower and bird painting.Once again,Zhang Zhong draws the essence from the flower and bird paintings in the Tang and Song dynasties,and draws a wide range of talents,which urges Zhang Zhong flower and bird painting art style to mature in the process of inheriting the tradition.Finally,compared with Chen Lin’s flower and bird paintings in the transitional period of ink and ink birds in Yuan Dynasty,Wang Yuan,which is mainly in the "ancient meaning ",and the flower and bird paintings of three people with similar charm in Shengchangnian,and Zhang Zhong’s flower and bird other Mutual promotion.Innovation in inheritance,evolution in development,eventually formed a fresh and elegant,tender and honest,simple and heavy,meaningful and colorful unique style of flowers and birds painting.The artistic style of Zhangzhong flower and bird painting has influenced the practice creation of freehand brushwork and modern flower and bird painting in Ming Dynasty.