A Probe Into Don Ihde's Theory About Phenomenology Of Sound

With the development of technology,sound is increasingly integrated into human life,so that sound technology is widely used,from receiving radio waves in outer space to diagnosing human brain waves,people's hearing experience is becoming more and more diversified.This has become closely related to reality and provides a new perspective for understanding the various technical problems of sound today,and its research significance is self-evident.In addition,many technical philosophers and phenomenologists have paid attention in European and American countries,but domestic academic circles have not paid enough attention to sound phenomenology.Technical philosophers do not have sound technology as an important research direction.In the face of this situation,coupled with the unique perspective of the American phenomenological technical philosopher Don Ihde's sound phenomenology,it is very necessary to introduce and explore it.The thesis starts from the perspectives of phenomenology and philosophy of technology.The first part explains the significance of the topic,the research status,the research methods and the value of the questions.In the second part,I mainly discuss the academic growth background of Don Ihde who was deeply influenced by pragmatism philosophy and the persistence and change of phenomenology.Analyzed his sound phenomenology rooted in the thoughts of Husserl,Heidegger and Merleau-Ponty,and explained why sound became the object of his research.Don Ihde believes that in a sense,Western philosophy is a history of visual-centrism philosophy,forgetting the existence of sound,so he takes sound as the object of research.The third part explores the relationship between sound and time and space,and introduces the core concepts of his sound phenomenology and the language of phenomenology.He believes that sound is in the field composed of time and space,and exists at the same time.The way to experience sound is to listen.The experience and scope of sound change with people's intentions.In his opinion,the connotation of language is not the sound analysis of language philosophy,but the interpretation of the meaning of phenomenological sound,that is,meaningful sound.Focusing on the analysis of the development history of sound technology and its significance,the boundaries of listening nowadays are enlarged and reduced by technical tools,and the connotation of sound has become enriched.The development of sound technology has become more transparent,making people's hearing and sound better.A better experience.The fourth part mainly explains that he borrowed and brought into play Husserl's principle of lateral display method and added instrumental dimension to develop the theory of sound phenomenology.There are also various problems when sound phenomenology is applied to sound technology in real life scenarios,which can provide a new perspective and practical value for reference.The fifth part concludes with a summary of his main ideas,namely,the fusion of phenomenological methods and tools,experience he used,and the relationship between them.It also expresses the author's preliminary understanding of the technology.