| Art has been manifested through a diversity of languages, along history, making prevail creative intention over applied medium. At the beginning of the century, coinciding with the avant-garde of the XXth century and the beginning of the cinema, emerges the term Animated-Painting . A group of painters, pioneers in Artistic Animation, discovered in Animated-Painting a new space for the art, a medium where develop their painting in time.;Artistic Animation has followed a particular trajectory, considered apart from the general Animation mainstream, at the same time that an intruder in the world of Art. Despite this, closer link between Animation and Art is expressed by an only term when we say Animated-Painting .;The present thesis takes like a starting point animation festivals, to develop a job of field centred in those events that promotes Artistic Animation in the last decade of the twentieth century. In them is possible to assist to the Animated-Painting history, although somewhat dispersed, covering in this way part of the lack generated by its absence in the world of art. From this work, research established links that remit us to the creative intention of Painters-Filmmakers, classifying different applications of the pictorial techniques, and references to painting developed in animation. Animated-Painting doesn't means a technique exclusively, doesn't limit its interest in plastic aspects severely, or rather a common sense, which study we broach through the most representatives Painters-Filmmakers.;Reference to painting is inevitable, maximum when Painters-Filmmakers have received a formation in Fine Arts. Occasionally allusions are not straights, but Painting is the language with they expresses themselves, and their films are Painting in continuous movement. This premises look for an answer to the main questions that motivate the research: definition and diagnosis of Animated-Painting and Painter-Filmmaker . From this point we are able to establish a portrait of Animated-Painting closing the XXth century, and mark future guides that would permit recognition and diffusion of it, like a space for the art. |
