The Exploration Of Chinese Idol Development Talent Show From The Perspective Of Media Landscape

The dominant nature of contemporary social existence is embodied as a kind of picture shown by the media,which appears on a large scale based on the commercial logic and is dominated by the economic order by the visual image.The current media ecology in China,driven by the three wheels of policy,technology and market,is showing an increasingly diversified picture at different levels.With the prevalence of youth subculture,and the flexible construction of interaction and engagement,media has played a major role in the production line and conveyor belt of modern "idol" and contribute to the appearance of reality TV idol show.In recent years,as a culture form and audiovisual products for the mass media,reality TV idol show prevails in China,which forms "idol" heat and it is also becoming the a new innovation point in the growth of Chinese entertainment industry.Through the audience's consumption of the characters,the fantasy world,and the media's own brands,these idol cultivation talent shows present a "media landscape" with the characteristics of consumption culture and the participation of the public by capital.Among them,if we look calmly at the rise and development of idol-forming talent shows,we will find that there is a strange and appropriate fit between them and the theory of media spectacle.With the help of the media spectacle to observe the form and content of the TV shows governing idol cultivation,many interesting new highlights will appear.This is exactly the reason why this article decided to explore the idol cultivation talent show from the perspective of media spectacle.This paper intends to focus on the phenomenon-level idol cultivation talent shows in China,and analyzes the presentation of the internal media landscape and the transmission of the final meaning.It is of great practical significance and research value at the moment when super mode is sweeping the world and reality shows are becoming a part of audiences' life.The first part of this paper summarizes the development of Chinese idol cultivation talent show in the past five years,and points out that it was conceived in the early talent show,and has gone through three development stages: initial exploration,rising climax and adjustment.The second chapter,based on the important features of the landscape society,namely "relying on vision,attaching importance to images",analyzes the image symbols and sound symbols,decomposes the idol to form the audiovisual landscape of talent shows,and empowers these symbols and signs by symbolizing and marking the landscape,so as to leave enough space for the industrialization development of the program.The third chapter analyzes the core competitiveness of the show,which refers to the carefully created and interpretation of the characters landscape,because the landscape is a kind of social relationship,which people build through the image mediation.This kind of program includes three types of people: idol,audience and star tutor,the close and stable relationship among them "pawn" to show business landscape.The fourth chapter points out that landscape critical discourse of production is consumption era,and the ultimate goal of show landscape rendering is soaked to construct ideology and achieve business landscape."Idol" as the landscape goods are placed on the " videoplatform and advertisers" premiere "shelf" for "founder","the founder of" concentrate on participation,"landscape control" became the slaves,idol form actually is formed with the platform to develop the brand.The fifth chapter is a review and reflection on the appearance of idol cultivation talent shows in the context of consumer society,and points out that the audiences and subjects of idol cultivation are "younger",the production mechanism is "quick marketing",and the public is "superficial aesthetic".As an entertainment culture,idol cultivation talent shows will inevitably have a negative social impact that deviates from the mainstream culture due to their natural popularity and public interest,as well as the expansion of commercial factors.The industry phenomenon and psychological crisis behind the landscape pleasure culture cannot be ignored.In the rapid development of Chinese idol reality TV show still has a long way to go,therefore,we need to explore and develop our own country show based on the development status of our country and under the guidance of the concept of entertainment professionalism,to shape successful brands into the cultural market,to maximize the release of resources value,and to enhance the cultural soft power,in order to put Chinese entertainment culture on a healthy track.