Research On The Productive Cultural Characteristics Of Slow TV

This article mainly analyzes the productive cultural characteristics of slow TV from three aspects:the cultural production of time and space,the cultural production of text narration,and the cultural production of the subjectivity.Slow TV is the development of media ecology.And under the support of network technology,it has a new form of TV program with cultural significance.As a new form of TV program,slow TV disintegrates and reconstructs the traditional TV medium.Behind the slow TV is the slow and peaceful life philosophy.The productive cultural characteristics of this paper refer to the dynamic characteristics of slow TV as a new kind of TV symbol,which has new cultural function and cultural significance.The cultural and productive characteristics of slow TV point to the productive characteristics of symbols in culture,and the reproduction of other cultures by productive characteristics.The program content of slow TV is only the complete record of the image,and it restores the real time and space,which is the return to the continuation of the image of time and space.Slow television has broken the typical characteristics of the traditional art,which is from life but is higher than the life,and slow television is good at constructing cultural interest in life.The scene of life and daily life makes the public transfer the attention to daily life again.Slow television is different from today's spectacle narration.Slow television emphasizes that attention to daily life is a kind of gaze.After the spectacle,it fully mobilizes the production of the subject,and the self-construction is carried out.Slow TV is like the mirror image of reality,mapping human's subjective consciousness.Slow TV production is the cognition of identity and the meaning of life.The first chapter introduces the research background,current situation,research significance and research methods of slow TV.The second chapter briefly expounds the development of slow TV,combs the origin of slow TV,deconstructs the four representative works of the slow TV program in Norway,and probes into the panda channel--Ipanda which is the first attempt in China.The third chapter excavates and studies the cultural production of time and space by slow television,expounds the continuity of time and the integrity of space.At the same time,this chapter analyses and reunderstands the reproduction of the real space by the long lens.The fourth chapter describes the cultural production of slow TV on narration,and mainly discusses the typicality and defamiliarization of slow TV.Slow TV has no plot,anti narrative,and has the characteristics of post modernism.This chapter introduces the concept of slow variety,and discusses the rise of the popular slow variety show.The fifth chapter makes an in-depth analysis of slow TV's cultural production of subjectivity,and expounds the main production after the speed and the main production after the phenomenon.speed.Compared with the current production mode of today's spectacle,we have cleared up the subjective production mode after the spectacle.