A Study On The Paintings Of Famous Prostitutes In The South Of The Yangtze River In The Late Ming Dynasty Under The Influence Of The Association Between Scholars And Prostitute

Since the end of the Neolithic Age,China began to enter the patriarchal society.The patriarchal culture has taken root in our traditional society.Women often fall into the dilemma of exile.This phenomenon is not only in the fields of social life,politics,economy,etc.In the art of ancient painting,in the history of Chinese traditional paintings that flaunt male painters,female paintings are often hidden.However,in the late Ming Dynasty,there was a short-term break in the ice,especially in the Jiangnan area where culture and economy flourished.A large number of women who were poetry and literary scholars joined the ranks of literati paintings.The group performance is particularly active,they spare no effort to reveal their artistic talents and sentiments,and write a strong stroke in the history of women's paintings,and the people who are immersed in them and who are behind them are the group of scholars who have been in close contact with each other during this period.In the late Ming Dynasty,the Jiangnan industry was particularly developed,and the scholars often exchanged their reputations with high cultural and artistic literacy.Although this phenomenon based on the existence of the shackles can be traced back to thousands of years ago,The special era and social background of the late Ming Dynasty enriched the relationship between the two,providing an opportunity for women to develop in the field of painting and calligraphy.This thesis adopts the combination of sociology and artology to explore the influence and formation characteristics of Jiangnan famous paintings in the context of literati in the late Ming Dynasty.The discussion of important cultural issues such as the cultural construction of the subject and the gender system is divided into four parts:The first part clarifies the reasons for the emergence of the Jiangnan gentry group in the late Ming Dynasty from the perspective of the background of the times.The relaxation of the imperial examination system,the development of the commodity economy,the abolishment of judicial administration,and the enlightenment of the minds of the minds have directly or indirectly stimulated the scholars and celebrities.The group grows and provides material,institutional,and ideological foundations for the interaction between the two.The second part examines the process and mode of interaction between the scholars and the celebrities,and clarifies the diversity relationship between the teachers,students,friends and husbands established in the process of communication.The third part deeply explores the influence of their interactions on the subject matter,brushwork,thoughts and emotions of this period.The name is influenced by the orientation or divergence of the scholars.On the one hand,on the subject of painting.In the pen and ink,the aesthetic orientation of the literati is acquainted with the literati painting style,especially in the popular flower-birds and Nanzong landscapes at that time.On the other hand,the scholars The diversified relationship with the shackles also invisibly shapes the conscious and emotional spheres of the names,and vividly and truly reflects them in their images.The fourth part starts from the above research and puts forward some thoughts on women's problems and gender system.On the one hand,the traditional phenomenon of pro-attachment of literati paintings in the paintings of the late Ming Dynasty Jiangnan is actually an indirect manifestation of women's self-consciousness awakening.On the other hand,the awakening of self-awareness has not been able to effectively eliminate the sinking of gender problems.The name is still largely confined to the traditional unbalanced gender system,which also constitutes the Qing Dynasty famous paintings.The root cause of the long-term development of the late Ming Dynasty.