From "Zhiqing Literary Theory" To "Typical Literary View"

Throughout Ouyang Shan sixty years of creative process,he firmly grasp the pulse of The Times,adhere to the highly motivated of intellectuals,from the early lyric short,to "reflect the context of the Chinese revolution" after the founding of the country,OuYang Shan has the evolution process,and finished in the evolution of the self transcendence.Based on the time node of Ouyang Shan’s creation,this paper analyzes the evolution of Ouyang Shan’s creation concept,creation content and form by combining the author’s own experience,the influence of Guangzhou regional culture on his creation,as well as the historical and political background.This paper holds that Ouyang shan’s works have certain inheritability and cannot be simply classified according to the previous "dissection" point of view.From the vigorous proposal of "the theory of love literature" in his youth to the steady practice of "the view of typical literature" after the founding of the People’s Republic of China,it can be seen that ouyang shan’s creative idea is not to break with the past self,but to constantly update his literary idea and creative method on the basis of the original one.Moreover,Ouyang shan always believes that literature is relatively independent.On the premise of political stance,Ouyang shan’s attitude towards literary and artistic creation is free and inclusive.Therefore,Ouyang shan cannot be simply classified as a writer with political voice.Furthermore,this paper summarizes Ouyang shan’s views on the creation of literary models by sorting out the remarks about literary models scattered in the anthology,and verifies his works from the aspects of typical characters,typical characters,typical environment and so on.This paper expounds the evolution of Ouyang shan’s literary concept in three parts.The second part elaborates the reasons and process of the change of Ouyang shan’s literary ideas.The third part analyzes the mature stage of Ouyang shan’s view of typical literature.The third part analyzes the mature stage of Ouyang shan’s typical literary view.This paper argues that Ouyang shan seeks a breakthrough in the way and theme of his creation to present a broader social picture.In other words,the evolution of Ouyang shan’s literary concept is largely due to the fact that his traditional creative mode can not meet the needs of his later creation.As a result,Ouyang shan broke through himself in the evolution and achieved transcendence and sublimation.