The Tracing To The Origin And Contemporary Value Of The Feitian Image Style Of Dunhuang Murals In Tang Dynasty

The dunhuang frescoes are a splendid treasure of Chinese buddhist art.Among them,the highest level of dunhuang fresco art is the dunhuang frescoes in the tang dynasty.At the same time,the murals in this stage represent the most glorious stage in the development of the buddhist art in dunhuang.The flying image is the most important part of dunhuang frescoes and has a strong artistic quality.The image of "flying" is fiction,on the basis of the artist's aesthetic,creates the detachment of imagination and experience and endowed with aesthetic feeling,the personality characteristics of image,has extremely strong YiXiangXing in characterization.The "flying days" of the tang dynasty was deeply admired and loved by people because of its flexible and ultra-free modeling.The flying image of this period is characterized by the obvious buddhist art,which is regarded as the classic Chinese cultural and artistic symbol.In the posture in the tang dynasty "flying",there is a strong artistic expression,they not only show the Buddha inner spiritual pursuit of the world,also being given the mystery of the Buddha and art,cultural heritage,is the practice of human history material wealth and spiritual wealth combined.This not only shows that the creative thinking of Chinese artists is not limited to objective things,which also fully shows the perfect integration between human emotion and external image.Because of the unrestrained reality reflected by dunhuang "feitian" in tang dynasty,it is of great significance for contemporary dance creation to express the concept of subjective emotion.But today,in the tang dynasty in dunhuang murals flying image to do specialized research articles are few and far between,researchers are paying attention to historical development vein combing and ignored the "flying" the noumenon of art.Therefore,this paper focuses on tracing the image of dunhuang frescoes in the tang dynasty and exploring its contemporary value.In this paper,a total of four chapters:first chapter is the introduction,the second chapter dunhuang frescoes and sky,chapter 3 different periods in tang dynasty in dunhuang murals flying image style characteristics and the aesthetic concept,the fourth chapter the contemporary value of dunhuang murals in tang dynasty flying image.The first chapter:introduction.This chapter focuses on the paper selected topic significance,and analyzes the research status.The second chapter:dunhuang frescoes and sky.This chapter mainly discusses the location,dunhuang culture in dunhuang,dunhuang frescoes are summarized,and carries on the introduction of "flying",which outline the mysterious flying image source.The third chapter:each period in the tang dynasty in dunhuang murals flying image style and aesthetic concept.This chapter mainly discusses the aesthetic source of dunhuang murals flying image are summarized,and the tang dynasty flying classifies the image style of each period of tang dynasty dance under the influence of the dunhuang feitian explore the aesthetic concept."The flying apsaras" from the western regions to the central plains,after fusion of culture eventually form the flying image with Chinese characteristics.The fourth chapter:the contemporary value of dunhuang murals in tang dynasty flying image.This chapter mainly through images of the tang dynasty in dunhuang murals flying and flying today the dance image style characteristics were analyzed,explore the tang dynasty in dunhuang murals flying image for professional and non-professional groups of dance group.