Study On Flying Modeling Of The Tang Dynasty Dunhuang Murals

The Dunhuang frescoes are dazzling pearl in the art of Buddhism in China. The Tang Dynasty mural works represent the highest level of Chinese mural art, the most brilliant stage is also in the process of the development of the Buddhist art of Dunhuang. The "flying" image is an important part of the Dunhuang murals, with strong decorative art. "Flying" with its elegant and clever modelling by people’s admiration and affection, and become a classic symbol of sign of Buddhist art and Chinese culture. "Flying" shape with a strong freehand brushwork in traditional Chinese painting. This not only reflects the image modeling concepts of the Chinese,At the same time, it also reflects the aesthetic idea of "harmony between man and nature" and "the thing I am" pursued by Chinese traditional painting. Based on this,this paper discusses the characteristics of the "flying" image of the Tang Dynasty.Appeared in the origin of this term in this paper is divided into five chapters,first in the introduction clarify research status of the Dunhuang murals of flying, the significance and purpose and "flying"; then the first chapter began flying on the origin and development, and Tang Zhaoge period of the flying characteristics of the times; in the second chapter further combined with the concrete form of flying in the Dunhuang fresco of Tang Dynasty, summary, summed up the characteristics of the shape and explained one by one; followed by Tang Dynasty flying image formation reason analysis of the third chapter; in the next chapter the Tang Dynasty in different regions of the flying Apsaras images were compared to identify each other regional difference; finally the fifth chapter concluded.