On The Artistic Features Of Flying In The Dunhuang Frescoes In The Tang Dynasty

The dunhuang frescoes of the tang dynasty had a high level of interpretation of buddhist art,which reached its peak in the development of dunhuang art."Flying sky" is a very important part of the buddhist murals,with a strong decorative art."Flying sky" guards the solemnity and sanctity of the buddhist world with its smart and light posture and has become a classic symbol of Chinese buddhist culture.When "flying sky" is created,it has a strong subjectivity,which reflects the subjective aesthetic concept that our traditional Chinese painting is not affected by the object,and also reflects the concept of "the unity of heaven and man" advocated by Chinese painting.Therefore,this paper discusses the artistic characteristics of "flying sky" in tang dynasty.It is divided into three chapters.First,in the introduction,it introduces the research status,the significance and purpose of the topic selection,the basic research methods and innovations of dunhuang flying apsaras in tang dynasty.Then the first chapter begins to discuss the development and characteristics of the flying sky in tang dynasty.The second chapter further combines the tang dynasty dunhuang frescoes in the specific form of flying apsaras,summarizes and summarizes its artistic characteristics and discusses one by one;The third chapter analyzes the influence of tang dynasty flying sky on my creation.Finally,flying aprons are vivid and aesthetic images based on buddhist stories and people's subjective ideals.Because the image created by the aesthetic concept based on subjective emotion is very dynamic,I think it has great guiding significance for modern and contemporary creation.