An Analysis Of The Character's Musical Image And Arias In The Opera "The Fake Gardener"

The opera "La Finta Giardiniera" was an early opera by Mozart.Although the influence of this opera on later generations is not as great as that of the later operas,the dramatic elements of the opera laid the foundation for Mozart's later opera creation.At present,there are few people studying the opera "La Finta Giardiniera" in China.This article comprehensively understands this early work of Mozart through the figure music image and the aria music structure,taking the figure music image and aria analysis in the opera "La Finta Giardiniera" as the breakthrough point.The author uses the literature research method,the music analysis method and the induction and summary method in the research of the whole opera,to study the background plot,the figure image and the aria of "La Finta Giardiniera ",excavate deeply into the internal drama elements of the opera,as well as the artistic value of the whole opera.The author divides the thesis into three parts for discussion:The first part is the background of Mozart's early opera creation and the plot of the opera "La Finta Giardiniera".On the one hand,it studies and analyzes the social background of Mozart's early creation and the development of opera,so as to understand the background of Mozart's early creation of "La Finta Giardiniera".On the other hand,the opera "La Finta Giardiniera" plot is introduced to understand this early opera.The second part is the analysis of the figure musical images in the opera "La Finta Giardiniera".It conducts the artistic analysis research from the female figure music image and the male figure music image.The musical images of female figures of Violante,Aminda and Serpetta and musical images of male figures of Podesta,Belfiore and Roberto are analyzed to excavate the opera artistic value in the aspect of figure music image analysis.The third part is the analysis of the figure aria in the opera and the role of individual vocal music singing.On the one hand,it analyzes and studies the figure aria in the opera and analyzes the arias of "Noi donne poverine","A forza di martelli" and "Che belta,che Leggiadria".Through grasping the figures' musical feelings as a whole in the figure aria,it enables the aria and the figure music images to be closely linked and explores the dramatic elements in the opera.On the other hand,the author analyzes the positive role of the individual in the actual singing from the perspective of the processing of linguistic logical stress,the control of breath and the coherence of phrases.