Research On The Aesthetic Culture Of Women's Clothing During The Wei, Jin, Southern And Northern Dynasties

The Wei,Jin and Southern and Northern Dynasties were the most frequent periods of war and political succession in history,and also the most serious period of intensification of ethnic conflicts.It is precisely because of the turbulent political and economic environment that the stable cultural ecological environment established since the Qin and Han Dynasties has created gaps,providing conditions for the injection of fresh blood,and finally achieving an era of romantic competition and brilliant achievements in science,literature,art and other aspects.As a combination of art and culture,clothing is also inevitably influenced by The Times.Therefore,women's clothing in this period,on the basis of inheriting the clothing of previous generations,presents a unique,novel and creative appearance.Firstly,the paper combs the historical background of The Wei,Jin and Southern and Northern Dynasties and summarizes the three factors that have the most profound influence on the aesthetic culture of that period.First,the Shizu group became the mainstay of the society in wei,Jin and Southern and Northern Dynasties.Secondly,due to the climatic reasons and the thirst for living resources,the Hu nationality moved southwards to enter the central Plains and the ethnic conflicts aroused in the process of communication and integration with the Han nationality.Third,the decline of Confucianism led to the rise of Taoism,which gave rise to the new Taoism,that is,metaphysics peculiar to the Wei and Jin dynasties.Meanwhile,with the development of the Silk Road in Han Dynasty,more and more foreign cultures were introduced,and Buddhist thoughts and art forms derived from Buddhism also had a great influence on the aesthetic culture at that time.The third chapter mainly focuses on the specific appearance of women's clothing in this period,in which the characteristic and popular clothing of this period is the main research object.Divided into clothing,accessories,makeup,hair four categories.As each kind of clothing has its own characteristics and different origins,it discusses the appearance,material,color,ornamentation and other related aspects one by one.The fourth chapter mainly discusses the philosophical view of dialectical thinking in The Period of Wei and Jin dynasties,which has a profound influenceon costume art creation.The expressive force and emotional color of clothing in this period are most closely related to thoughts.The inheritance of Taoist immortals in the Han Dynasty had an influence on the shape and system of clothes,and the influence of Taoist immortals on the color of clothes in the view of the coexistence of Taoist immortals,and the relatively open thought and the promotion of women's status showed "transcendence" and "creativity",with originality as the beauty.In addition,Buddhism not only provides women with an open platform to show themselves,but also,most importantly,in times of frequent wars,plagues and natural disasters,Buddhist thought happens to be a kind of spiritual consolation.In addition,the fresh artistic style brought by Buddhist culture is also a major factor influencing aesthetic culture.In addition,women in The Wei and Jin dynasties were "conscious" and "selfappearance",and paid attention to individuals and spirits.Compared with the Han Dynasty,women's clothing in the Wei,Jin and Southern and Northern Dynasties paid more attention to physical beauty,which had a great impact on the shape and system of clothing.The fifth chapter is mainly about the influence of the aesthetic culture of women's clothing in The Wei,Jin and Southern and Northern Dynasties on the Sui and Tang Dynasties,as well as its significance to the contemporary aesthetic of women's clothing.