Research On The Value Orientation Of Film Reports In Ta Kung Pao During The Anti-Japanese War

The development of the film has only been more than a hundred years,but its inheritance and development is a history worthy of in-depth study.During the Anti-Japanese War,the demand of the film market changed with the change of the wartime environment.The film history of this special period was recorded by many newspapers at that time.Founded in 1902,ta kung pao is the longest Chinese newspaper ever published in China.It presents the development course of Chinese films in the period of Anti-Japanese War in a comprehensive and objective way.After the outbreak of the war of resistance against Japanese aggression,it became an urgent demand of the Chinese people to resist the invasion of Japanese imperialism,and the original popular supernatural films could not meet the wartime needs.Therefore,"national defense films" became the main type of films in the film market.To a great extent,this kind of change has dominated the value choice of ta kung pao people,and ta kung pao has adjusted the value orientation of film reports accordingly.This paper selects the fourteen years of the Anti-Japanese War as the research period,selects the text of the film report of ta kung pao at that time,and combines the development process of the film history to make a multi-angle analysis of the four aspects of the relevant text,including the content,length,layout,and title font.Since the war of resistance against Japan is divided into two historical periods before and after the partial war of resistance against Japan and the total war of resistance against Japan,the value orientation of ta kung pao's film reports is different in these two periods.Therefore,this paper divides the research period into two stages,trying to explore the concrete expression of the value orientation of ta kung pao's film reports in different stages.In addition,the article also summarizes the personnel transfer situation and the editorial philosophy of ta kung pao at that time,that is,how the editorial philosophy of ta kung pao played a specific role in the reporting practice,and how the ideas and texts were interlinked,so as to deeply discuss the reasons for the transformation.By combing the relevant literature of the two historical periods,it can be found that the changes and development of ta kung pao's film reports before and after the period are mainly reflected in the following four aspects: From the simple trailer film development to in-depthfilm criticism,active promotion of "national defense film".Second,the length from short to long.From the shortest one-sentence brief introduction of the film's release time and location,to the longest half a page to carry out criticism.Third,the layout from the edge to the center.From the corner of the corner position gradually close to the layout center.Fourth,the title font from not prominent to eye-catching.These changes show that ta kung pao's film reports pay more attention to the value of anti-japanese propaganda.This transformation is closely related to the wartime situation in China,the adjustment of editorial ideas of ta kung pao and the regional changes.The change in the value orientation of ta kung pao's film reports not only promotes the development of the film itself,innovatively interprets journalistic professionalism,but also further broadens the aesthetic vision of readers and presents cultural landscapes of different cities for them.Through the research on the value orientation of ta kung pao's film reports,this paper hopes to clarify the various roles played by the news media in this special historical period,and tries to explore a new way of cross-studying news communication and film development in the multi-dimensional perspectives of news history and film history.