A Study Of The Jin And Tang Dynasties Critical Calligraphy Theory From Cultural Sociology's Field Theory View

Theory system from ancient times to the present,there are a large number of calligraphy theory works,which can be called a large number of works.Nowadays,the definition of calligraphy theory types in the field of calligraphy history theory,among which the more widely accepted classification method is the definition of calligraphy theory in the history of Chinese calligraphy · Wei Jin volume.The calligraphy theory in the Wei Jin and the southern and Northern Dynasties,especially the calligraphy theory in the Qi Liang period of the southern and Northern Dynasties,can be generally defined as "calligraphy style,history of calligraphy,criticism,techniques,identification,description,calligraphy" On the seven types,the research object of this paper--the theory of category evaluation calligraphy in the Jin and Tang Dynasties,that is,Yu Jianwu's calligraphy in the Liang Dynasty and Li Sizhen's calligraphy after the Tang Dynasty,can be classified as the category of "calligraphy theory".Because Li Sizhen's calligraphy after the Tang Dynasty inherited Yu's calligraphy after the example,although it was written in several years in the southern and Northern Dynasties,however It can also belong to the same type definition as the former.Pierre Bourdieu was born in France in the 1930 s.He is one of the most outstanding sociologists in the field of sociology after French scholar Durkheim.His momentum has spread to the field of thought in France today.Sartre,who was once regarded as the representative of existentialist philosophy in the 1950 s,compared with Foucault in the 1980 s,has great influence on his theory It can be seen from the far-reaching scope of ideological radiation.This paper studies the two representative works of calligraphy criticism theory system of "nine grades on calligraphy" under the category of "calligraphy theory",aiming to reveal that they have broadened the theoretical richness of calligraphy art appreciation in the existing Calligraphy Theories at that time,the theoretical speculative nature of words and expressions,as well as the specific text of in-depth theory and the culture of Bourdieu,a French scholar The theory of "field" in sociology is combined with each other to explore the value tendency of discussing calligraphy system,discussing and the theoretical discourse construction of "body dimension" contained in it,so as to achieve the purpose of using the Western cultural sociology theory as the research perspective under the trend of modern chemistry of "the introduction of Western learning into the East" while carrying out the relevant research on the traditional Chinese calligraphy theory in detail The academic research value of Chinese calligraphy theory under the angle,so as to achieve the academic purpose and research goal of "Chinese style and Western application,learning through the Chinese and Western".