A Research On The Nationalization Of Chu Wanghua’s Piano Work Seven Chinese Folk Songs

Among the creation of Chinese piano works 100 years,several generations of composers have been working tirelessly to creation masterpieces with the characteristics of the times and the charm of the Chinese nation.This is not only a response to the cultural European-centered challenge and culture globalization,but also a confidence in traditional Chinese culture.In today’s cultural globalization,the music works that truly represent the traditional culture of the Chinese nation enjoy a high reputation in the world and have a special significance.This thesis take the composer Chu Wanghua’s piano work Seven Chinese Folk Songs as the research object.Use the literature research method to explore the background of nationalization and its influence on Chu Wanghua’s piano works.Use the music score analysis,explores the elements of nationalization presented in the works.Analyzes how Chu Wanghua solved the technical difficulties in the integration of Chinese and Western music composition technology.Use the comparative analysis method to explore the relationship between Chinese folk music and Chinese piano works adapted by Chu Wanhua’s.Use the method of induction to clarify the aesthetic value and innovative significance of the Chinese piano works.How to reflect the thoughts,feelings and aesthetic meaning of the work when performing the work.Based on the composer’s first-hand data,this thesis puts forward performance tips and suggestions.The following main conclusions are drawn through the research:The exploration of nationalization on the piano should adopt an inclusive attitude.This is not only an affirmation of the profound humanistic heritage,but also a foresight into cultural development.Chinese and Western music are different in their thinking,systems,and aesthetic pursuits.Chinese piano works embody the thoughts,feelings and aesthetics of the Chinese people.Performers should deeply understand the connotation,humanity history and national meaning of the works.There is still huge room for development of Chinese piano music,which needs to be continuously explored.