A Study On The Piano Adaptation Of Chu Wanghua 's Elements

The scope of this paper is Wanghua Chu piano transcriptions of folk elements. By collecting, reading and sorting relevant information of Wanghua Chu, analyzing his piano transcriptions of folk elements, the research methods of this paper is in accordance with the following way.The first chapter has outlined Wanghua Chu solo piano works, through researching the background of his life and creative experience. Wanghua Chu has wrote 24 pieces of Chinese piano transcriptions, which include 11 songs adapted by folk elements. So the piano transcriptions of folk elements have played an important role in his works.The second chapter has classified Wanghua Chu piano transcriptions of folk elements. In foreign countries, the transcriptions began in the Renaissance, for the musicians adapted religious choral works. Bach, Lester and other composers have developed piano transcriptions. Piano in china began in 1913, and in the culture revolution period, the special background promoted the development of piano transcriptions. After the culture revolution, the composers wrote piano transcriptions with more and more extensive material and used newer and newer techniques. So the piano transcriptions has coruscated new vitality.The third chapter has analysed Wanghua Chu piano transcriptions of folk elements, through the structure, texture, harmony and modal in his works. By combining the techniques and elements of folk songs as the starting point to analyze the piano transcriptions, this chapter has drew a conclusion that Wanghua Chu piano transcriptions of folk elements have special composing techniques and the layout of works characteristics in different types of transcriptions pianoThe forth chapter has analysed the aesthetic and practical significance in Wanghua Chu piano transcriptions of folk elements. Wanghua Chu piano transcriptions have expanded in terms of structure, and the structure has the characteristics of gradual change. Texture has many characteristics of voices, and Wanghua Chu is very good at using the ornamentation. In the harmony, Wanghua Chu has reflected the characteristics of national music,conveyed national music charm and incarnated the rhythm of scalability in traditional music rhythm as far as possible.The fifth chapter has analysed Wanghua Chu piano transcriptions of folk elements from the aesthetic and practical view. The aesthetic significance of Wanghua Chu piano transcriptions of folk elements is implicit beauty and natural beauty. Its practical significance is that the use of modern composition and language which expressed Chinese traditional music, made his music with national, modern and international the characteristics。So Wanghua Chu piano transcriptions of folk have enduring vitality.