On The Inheritance Of Chinese Classical Literature By Gefei's "Jiangnan Trilogy"

After completing the early "pioneer" creation,Ge Fei made great efforts to accumulate Chinese traditional excellent culture and actively and profitably explored Chinese classical literature.His creation has achieved a transformation.Gefei's "Jiangnan Trilogy","Peach Blossom","Mountain and River Dream" and "Spring to the South" have obvious Chinese classical style and are the inheritance of Chinese classical literature.With a high degree of cultural consciousness,Ge Fei applied Chinese-style philosophical thoughts to his creation and created a group of intellectual novels with Chinese traditional Confucian,Taoist and Buddhist thoughts,borrowed from allegorical narrative forms.Imitate the narrative art of the Chinese classical novel "Dream of Red Mansions",use traditional and delicate narrative methods with code,white drawing,and pen,use of implicit and elegant language,and use of antique styles.The atmosphere of the book in the novel is overwhelming.It opens up a wider cultural space and a new language and art dimension for the creation of contemporary novels.The image in classical poetry has created a beautiful and sad atmosphere of artistic conception.A large number of descriptions of the protagonist's dreams have shown the character image from the side and promoted the development of the storyline.The novel outlines the narrative tradition and characteristics of classical novels from various aspects such as artistic conception and aesthetic significance.By means of detailed reading and comparative study,the thesis makes a detailed and comprehensive analysis of the novel text of gefei's "Jiangnan trilogy",which is divided into three parts: introduction,main body and conclusion.The introduction part introduces the contemporary writer Ge Fei's creation situation and the story summary of "Jiangnan Trilogy".The paper first studies the inheritance of the "Jiangnan Trilogy" to Chinese classical literary thoughts,and proposes that the characters in the three works more or less embody the Confucian thought of life,the Taoist thought of concealment,and the Buddhist practice.Secondly,the author discusses the inheritance of the "Jiangnan Trilogy" to the narrative art of Chineseclassical literature from the two aspects of the writer's reference to the allegorical narrative form and the classical literary narrative technique.Thirdly,it analyzes the inheritance of "Jiangnan Trilogy" to the aesthetic implication of Chinese classical literature.The use of typical Jiangnan images,interspersed with "dreams",antique style and implicit and elegant language make the three novels aesthetically poetic.