The Analysis On The Change Of Gefei’ Novels Through The Jiangnan Trilogy

As a representative of the pioneer literature, Gefei was known in the form of the strange mystery writing style. The unique angle of view and the consciousness of life in Gefei’s novels give his novels a poetic sentiment with melancholy and solemn. In addition it’s also include the causal theory of causation and skopos theory has been reported.With the Smiling face and peach blossom published in 2004, Gefei obsessed with self-sufficiency in the form of the art and let the reader see the works of mature and stable. He published The mountain and river in the dream and When spring left Jiangnan in the subsequent. Gefei ’s transformation is more obvious. Gefei to retain their original literary qualities at the same time, he absorbed the Chinese traditional literary language poetic realism narrative rhetoric and combined the traditional and modern narrative poem. In his novel the intellectual thinking in his vivid historical scenes and practical experience, solid, heavy and powerful novel in front of our eyes.This article tries to reference to a certain extent, the modern transformation of the literature of the Chinese in hundred years, as the same time combined with relevant literature and criticism in practice-Smiling face and peach blossom and mountain and river in the dream. When spring left Jiangnan as our samples, through the analysis of this paper to explore the creation of Gefei’s novels, in order to promote the complete understanding of his creative process, it is hoped that this study will help to further grasp the multiplicity of contemporary novels style reconstruct the cultural thinking.In this paper, the thesis in the introduction, and explains the value of this topic through research r. The main body of the thesis consists of three chapters:The first chapter is the analysis of the background of the transformation of Gefei’s novels. The causes from the social transformation and the changes of cultural context with the Pioneer Writers and the dilemma of academic resources as well as the influence on the new change of Gefei’s novels. At the end of the century he quit himself of all worries and devoted himself to the study of meditation can be regarded as a new thinking of the opportunity at the times. Gefei has modern imagination on literature and society in the reality of the situation in the new lose one’s beyond recognition,, its influence is self-evident, his rethinking of the history and literature have a fundamental driving force. The pioneer writer if blindly immersed in their own language.It is not possible to find a new way in the evolution of history and literature is more powerful way of speaking. Status and working environment of university professor makes his close relationship with literature. Gefei has changed a new place between the novels and the literary study of two model. He showed us how to balance them and laid the academic basis of good research practice of scholars and academic resources for the transformation of his creation.The second chapter from the theme content point of view, analysis of Gefei’s novels feel loneliness, emptiness, the common desire to enrich and deepen the theme. In the Jiangnan Trilogy, he used the continuation of the expression the loneliness with his mind but also with the life and struggle of his in the people characters that will be the history of the unique experience of loneliness. His dream of history to the fall and the collapse of the writing is based on solid plot which the integrated narration chain is unbroken.It is still quite different from the previous cause unwarranted theme. His desire to write the course is not only a kind of semantic criticism especially at the start of the novel complex historical changes, the desire is human nature value sacred deconstruction, also called "evil" as the propelling force of history. Dialectics of Gefei’s novels progress is possible in the specific historical time.The third chapter from the language of the quaint and realistic characters in the return of two dimensions to evaluate Gefei’s novels in the narrative with new variable. Growing up under the influence of Western literature is strong.Gefei regain the classical beauty of the language and poetic language in classical literature under the profound implication. In addition, Gefei from early symbolic and abstract characters which are vivid, strong in his historical existence. He felt in decade out of the new style of language in the transformation period, the traditional culture is the narrative of the New Adventures of his consciousness, not only need to return to the traditional way.It will not simplify the problem. In the Jiangnan Trilogy, the shaping of the characters were focused in the novels, but the realistic strategy to become an important basis for writing characters. Although Gefei’s protagonist is still persuasive with poetic style, but the writers in the regression of realistic character really reflect the special way to enrich the narrative mode of a conscious with his effort.The conclusion part summarizes the new change of the creation of his Jiangnan Trilogy and its advantages and disadvantages. If Gefei has been previous to create elaborate narrative maze in most novels then the Jiangnan Trilogy is more like his literary puzzle.’With his practical creation of contemporary novels. Gefei tried to find an effective way of parallelism. That is why Jiangnan Trilogy in the history of literature value are so important. For his own, Jiangnan trilogy with writing he also completed the self-discovery and the ideological innovation.