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Pioneer Return To Traditional

Posted on:2016-07-08Degree:MasterType:Thesis
Country:ChinaCandidate:Q Y DuanFull Text:PDF
GTID:2295330470476926Subject:Chinese Modern and Contemporary Literature
Abstract/Summary:PDF Full Text Request
Based on Gefei’s "Jiangnan Trilogy" as the research object, the comb has formed on the basis of research results, attempt to use the method of close reading, discussion and study of Gefei from avant-garde writers from the regression to the tradition of pioneer, for example in this paper, the works of Gefei in the spiritual substance, narrative Angle and poetic imagery.The papers in addition to the introduction and conclusion, is divided into three parts in this paper.The first chapter mainly combs as appearance with vanguard writers attitude Gefei, the causes of the formation of his creative personality, and on this basis discusses the creation of the1990 s began to Gefei from the pioneer to the transformation of traditional reality. In the aspect of work, with "Jiangnan Trilogy" as the research object, the composing characteristics of his examination work. The second chapter mainly from three aspects discusses the philosophical connotation of "Jiangnan Trilogy", first of all, analysis and discusses three films in the outstanding spiritual substance, secondly elaborated in his examination pass us his thoughts, profound interpretation to work again on the sense of disillusionment. The third chapter mainly discusses "Jiangnan Trilogy" artistic value and aesthetic pursuit. Work in narrative style in pursuit of the narrative labyrinth and multiple narrative art pursuit and reflects the writer’s own technique characteristics. Comb "Jiangnan Trilogy" artistic characteristics, namely the pursuit of poetic imagery at the same time, also knew the value of his works.
Keywords/Search Tags:Gefei, Jiangnan trilogy, Traditional, Regression, Narrate
PDF Full Text Request
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