The Narrative Arts Of GeFei’s ’Jiangnan Trilogy’

Initially as a pioneer writer,GeFei’s learning from the adventures of Borges and other western modern literary masters have opened up new possibilities for Chinese writing.The transformation of Jiangnan trilogy is also successful,and it has been selected as the ninth Mao Dun prize in literature.Ge Fei pioneer literary creation experience has become an important entry point for investigation of "Jiangnan" trilogy of narrative art.Combining the narrative techniques of the avant-garde literature and the historical view that the intellectuals are worried about the country and the people,this article will appreciate the aesthetic and ideological implications of the "Jiangnan Trilogy" from the three layers of discourse,narration and space and time,which are in a more comprehensive and three-dimensional way from the three aspects of microcosmic,medium and macroscopic.Grasp the narrative art features and literary charm of "Jiangnan Trilogy".Time is the unique experience of human existence,and the intrinsic attribute of some physical movements in the universe is also a structural clue that runs through the full text of this article.The first chapter of this paper,based on Bakhtin’s"space-time and body" narrative theory,combines the philosophy of time and the characterization of the concept of circular time and linear time,and investigates the interweaving of the family house in the special place with time and space in the "Jiangnan Trilogy" with historical significance as the cornerstone.Latitude and longitude is a self built"Jiangnan" historical space-time.This time and space body is independent in the text,but in the gap of discourse,it has the possibility to open up to the realistic ideology dimension.The second chapter analyzes the specific narrative techniques,such as vacancy,repetition,stratification and dream,as well as the effect of the subjective transformation of the linear narrative time.In essence,the use of many narrative techniques is the narrative transformation and processing of the objective story time of absolute and uniform passing through the subjective psychological time,thus achieving the effect of the so-called "Defamiliarization" of Russian formalism.The use of Ge Fei in the "Jiangnan Trilogy" of the narrative techniques still have a strong vanguard literature means.In the third chapter,from the point of view of the words,Ge Fei absorbed the essence of Chinese classical literature,especially the classical novel,such as the dream of Red Mansions.In the "peach blossom",he tried to use the poetic language of "Wen Bai mingling",which was to overcome and transcend the Europeanized translation of modern and contemporary novels,and to inherit the traditional Chinese literary tradition and carry on innovation.A useful attempt.