A Study Of The Language Of Paintings In Gao Kegong’s Landscape Paintings

This article takes Gao Kegong’s landscape paintings as the starting point,from the collected historical materials and teacher relationship,discusses the painting language of Gao Kegong’s landscape paintings,and summarizes the artistic features of his landscape paintings.This paper believes that Gao Kegong’s achievements in painting can not be ignored,and played an indispensable role in the formation of the new landscape of the Yuan Dynasty.On the one hand,the study of the painting language of Gao Kegongshan’s water painting painting is beneficial to study the painting characteristics of Gao Kegong’s landscape painting and learn the technique of ink and ink.On the other hand,it can further explore the artistic value of Gao Kegong’s landscape painting in order to better inherit and study the art of landscape painting.First of all,this thesis briefly discusses the life of Gao Kegong,the retro trend of the Yuan Dynasty and the influence of Ermi and Dong Ju on Gao Kegong’s painting language.Secondly,through the analysis of Gao Kegong’s paintings,he discusses the performance of his landscape paintings and highlights his landscape paintings.In the end,the author selects representative works from Gao Kegong’s water paintings for comparative analysis,and then infers the painting language features of Gao Kegong’s landscape painting in terms of composition form,ink brush technique and artistic conception.In addition,Gao Kegong’s development in Chinese landscape painting Give an objective assessment of the contribution made and the impact on future generations.