The Space Narration Of "Home" In Ozu Yasujiro's Film

As one of the most important film directors of the twentieth century,in the nearly sixty years of the death of Ozu Yasujiro,the films he directed were still loved by many fans and the attention and research of the academic circles.The academic circles' research on Ozu Yasujiro and his films has gone through a single level of initial research focusing solely on writers' works,and has gradually moved toward a comprehensive interdisciplinary critical research in contemporary times,such as from feminism and cognitive psychology.Reinterpret the film text from the perspective of science or geography.This paper attempts to use the "home" in the family theme film as a spatial element,and study the text construction of "space" as a whole and systematic "home",study and explore the spatial narrative of "home" under the lens language.The "home" in Ozu Yasujiro's film is first of all a place for people to live and live.It is visually a physical space.Within the physical space,he presents the spatial pattern of Japanese houses with unique filming techniques.Secondly,people form a new family through marriage,and with the addition and expansion of family members,"home" becomes the place and extension of emotional relationship on the basis of physics;when stability becomes the basic appeal of ordinary individuals One of them,Ozu Yasujiro's “home” provides a space of refuge in the spiritual sense;and the presentation of the physical space of “home” in his film,the narrative of daily life in the physical space,ultimately contains the "neutralization" feature in spatial narrative aesthetics.One is the harmony between man and nature,and one is the balance between change and invariance.