A Study Of Poetic Ideas On The Six Dynasties Of Yuan Hongdao

The poetic thought of Yuan Hongdao is generated in the complicated system of literary innovation in late Ming Dynasty,which means his poetic ideas on Six Dynasties is correspondence with innovate trend.However,the unique individual tradition in the literary field also played an important role in the formation and evolution of Yuan’s poetic ideas on Six Dynasties,such as the morale of Wei-Jin Dynasties and live philosophy of "self-adapt" and "Kuang",the cross-effect style of the rustic of Chu and the beautiful Wu,the retro and innovate poetry theorists constructed the emotional structure of mobility,all of which are of great significance to Yuan’s idiosyncratic poetic ideas in historical,geographical and literary way.Yuan Hongdao’s acceptance of the poetry of the Six Dynasties was mainly grasped from three dimensions: poet,poetic history and poetic terms.Among the poets of the Six Dynasties,Yuan only elected Tao Yuanming and Xie Lingyun,and praised Tao with "Qu" and "Dan",commented on Xie with "poetry material",and Tao Yuanming as the highest aesthetic model "master of true spirit".From the perspective of the history of poetry development,in order to get rid of the influence of tradition,he put forward two special propositions of "the Six Dynasties without poetry" and "the Yuefu does not continue",which is unique in the poetry of the Ming Dynasty.Based on the concept of literary innovation,he accused the poems of the Six Dynasties as "bad poems" and "no poems";Based on the history of poetry,he also agrees with the achievements of the poems of the Six Dynasties on the development of Tang poetry.Yuan’s attitude towards the poems of the Six Dynasties is very complicated and contradictory.In terms of poetics,Yuan Hongdao learns from the poetic terms of the Six Dynasties,mainly including "Qu" "Dan" "Qi" "Yun" "Zhen" "Xingling" "Tongbian" and so on.Yuan Hongdao advocated that "individual spirit,not restrained" is conducive to quickly clarifying the tendency of simulating ancient poetry,but there is inevitably a direct abuse.In the comparison of Six Dynasty Poetics of retro faction and Six Dynasties faction,reflectd the advantages and disadvantages of Yuan’s Poetics in the Six Dynasties in the Context of RepresentationalInnovation.Although Yuan’s overall attitude towards the poetry of the Six Dynasties is negative,but from the perspective of accepting aesthetics,it also outlines the acceptance of the poetry of the Six Dynasties in the late Ming Dynasty.Profoundly probing into Yuan hongdao,the dissertation is able to comprehensively master the evaluations on poets and poetry history in the Six Dynasties,and to further explore the poetic views held by Yuan hongdao.Through the comparison of diachronic and synchronicity,analyzes Yuan’s inheritance and development which is based on predecessors.It also discusses the limitations and biases of Yuan’s evaluation of poetry in the Six Dynasties under the view of Xingling poetry.