On The Morbid Image Shaping In Gefei’s "Jiangnan Trilogy"

The paper takes "Jiangnan Trilogy" as the research object,takes the psychoanalysis theory and existential philosophy as the support,and tries to explore the shaping of the pathological image in the text,as well as the significance of ge Fei as a scholar writer with responsibility and humanistic atmosphere.The first part is into the introduction.It mainly introduces the influence of Gefei’s creation stage and the influence of psychoanalysis theory on his creation.After entering the new century,Ge Fei started a new road of creation with Face Peach Blossoms.The subsequent published "Mountains and Rivers" are collectively known as "Jiangnan Trilogy" due to the relevance of its theme,characters and geographical location.The publication of this trilogy is also considered as a model of its creative transformation.In the early stage,Gefei pays attention to formal experiments,while in the new era,Gefei returns to the tradition and attaches importance to the construction of text content.In the "Jiangnan Trilogy",the Taoyuan dream initiated by Lu Kan is inherited in the way of family genes.These protagonists behave differently from ordinary people,their ideas conflict with social norms,and they are regarded as pathological people.Psychoanalysis and existential philosophy pay close attention to individual spirit,psychology and survival,and contribute to the shaping of pathological images in the text.Therefore,it is undoubtedly of great significance to introduce the psychoanalysis theory and existentialist philosophy into the study of the "Jiangnan Trilogy",so as to realize the writing purpose of caring for the spiritual ecology of the contemporary people and treating the modern human nature.The first chapter mainly discusses the reasons why the sick people are attached to the "Taoyuan dream".The reason why the pathological image is incomprehensible to ordinary people is that their thoughts and behaviors are divorced from reality and conflict with the existing social order,which is embodied in the dedication to the ideal of Taoyuan.Therefore,in the process of exploring the Lu family’s addiction to the Taoyuan society,it also questioned his pathological psychology.First,the repression of their own desires,which leads to their dissatisfaction with the reality,and then they want to transform the society and create a perfect world in the mind of individuals.Second,the "Taoyuan Dream" has a long history,which can be traced back to Tao Yuanming’s Peach Blossom Land,which symbolizes the collective unconscious of human beings yearning for a better life.However,the revolutionaries in the text alienated the "Taoyuan dream",ignoring the reality and time of the Taoyuan ideal,so clinging to the impossible ideal,and the pathological thoughts and behaviors will inevitably follow.The second chapter mainly focuses on the deepening of the pathological behavior of the revolutionaries.When the revolutionaries hit the wall in the reality in the process of practicing the ideal,the role of the losers makes them unable to face up to the pain of existence in the world,showing a metaphysical fear of the world itself.Therefore,they choose to close themselves,isolate themselves from the reality,and seek comfort in the symbolic living space and art,thus opening up the living situation of the marginal people.The third chapter is the examination of the pathological images.The shaping of the pathological image is to give spiritual guidance to people in the same predicament through their living circumstances.In these pathological images,there is a profound cultural connection,which is a modern social group traumatic experience and real survival dilemma.In this kind of survival experience,people want to be comforted and reconcile with the survival dilemma,and they can only return to their true self and realize self-redemption.From the structure of the paper,the chapters focus on various focuses and complement each other.After defining the meaning of the pathological image,in the form of longitudinal deep,from the pathological behavior: the desire of syndrome expression and "Taoyuan dream" collective unconscious,to the deepening of the pathological behavior: with the edge of the failure of the reality,finally under the background of the environment,explore its survival dilemma,to view the modern human nature,in order to for "jiangnan trilogy" research and the study of the slightly.