Study On Relationship Between Language And Picture Of "Nine Songs"

The painting of “Nine Songs” is creatied by the painter Quyuan's literary works “Nine Songs”,which is a picture of the text of “Nine Songs”.The conversion between text and images implies the artist's acceptance and interpretation of the text of “Nine Songs”.In different times,the painting of “Nine Songs” have different styles and rich contents.They show the acceptance and interpretation of the same work in different times.And they also reflect the acceptance and interpretation of the text of the “Nine Songs” by the different readers.This paper tries to study the relationship between langueage and picture of “Nine Songs” from five parts.The introduction mainly introduces the current research status of the “Nine Song Charts” in the academic field.At the same time,it also clarified the academic value of the study on the relationship between langueage and picture of “Nine Songs”.The first chapter summarizes the composition of the paintings contained in Quyuan's “Nine Songs”.Qu yuan's "nine songs" text creation pays great attention to the painting's spatial sense,color beauty and painting sense of reference.By using the color applied to the image of the gods,the contrast of bright colors and the virtual reality,and the combination of virtual reality and virtual reality,formed the painting beauty of “Nine Songs”.It and the life,death,time,love and so on in “Nine Songs” have formed the internal and external cause of the creation of “Nine Song Charts” by many artists.The second chapter discusses the creation and manifestation of the “Nine Song Charts" at different times.The painting of “Nine Songs” of different times has both inherited and innovated the works of previous generations,as well as its specific characteristics of The Times.Most of them are similar to Li gonglin's works.The innovative school is combined with individual's emotion and the time background.The style is changeable,and the form changes thousands of times.To a certain extent,the artist's acceptance and interpretation of the text content and annotation of “ Nine Songs”.Since the creation of “Nine Song Charts” are based on Li gonglin,it also shows the characteristics of “patterning”.The third chapter discusses the intertextual relationship between the language and image of “Nine Songs”.At the core of the relationship between literature and image is the relationship between “language image” and “image”,which is the relationship between “language” and “image”.“Meaning” as a bridge between “language” and “elephant”,the literature and the image are closely linked together.Through the transformation of “language”,“elepahant” and “meaning”,this paper discusses the transformation between literature and images of “Nine Songs”.At the same time,it can be seen that there are three “intertextual” relationships between the text of the Nine Songs,the mutual text,the difference and the betrayal of the text.The fourth chapter mainly discusses the decomposition research of three pictures of “Xiang Jun”,“Xiang Furen” and “Mountain Ghost” in “Nine Songs”.There are great differences between “two xiang” and “Mountain Ghost” in the creation of “Nine Songs”.It is mainly related to the artists' acceptance and interpretation of “the study of chu”,the painter's mood,time background and the function of the painting.The conclusion mainly introduces the direction of further research,and points out the shortcomings of this paper.