Study On The Pattern Of Xiangtangshan Grottoes

The communication between China and foreign countries in the southern and northern dynasties led to the great change of decorative patterns.The plant patterns represented by the honeysuckle patterns from the west replaced the traditional animal and fairyland patterns since the war and han dynasty and became the mainstream of decoration,especially in the buddhist grottoes and statues.From the perspective of time and space,the shape and structure of buddhist honeysuckle decoration and the underlying social and cultural driving force are worth exploring.The xiangtangshan grottoes in northern qi are the representative of the mature stage of honeysuckle pattern.The early and most basic honeysuckle pattern is based on the corrugated branches and tendrils,with three(or more)rolled leaves on the side to fill the main unit.This article first of all on the origin of the honeysuckle pattern a lot of disputes are summarized and sorted out,comprehensive from the Chinese trumpet trumpet creeper pattern,palm leaf pattern,lotus leaf pattern,"tree of life" worship four kinds of view.Arranged after using the typology method,compares in dunhuang,yungang and longmen honeysuckle pattern shape,one by one,the paper discusses the formation of successively liangzhou style,city of peace and the central plains,summed up the north Korean buddhist honeysuckle pattern circulating sequence as a whole is from simple to complicated,from coarse to fine,from plain to characteristics,and analyzes the characteristics of different periods of reason.The decoration of dunhuang honeysuckle in beilang is still in its initial stage.Concept of zen thought the fire lines,resulting in honeysuckle line "flame" in yungang issue rapidly maturing,yungang phase ii for the first time to celebrate the honeysuckle line prosperous,rich types,structure,neat and exquisite honeysuckle image in yungang,thus influence to the same period of dunhuang,longmen dambulla cave temple,waveform,hexagon and round a variety of frame structure,pay attention to the depict of channels and collaterals,with birds see the compound honeysuckle line is led by the man of god,is the beginning of honeysuckle leaves become auxiliary status,"circular enclosed honeysuckle line" is for the sixth century "LianHe honeysuckle pattern" the formation of lay the foundation;The early stage of the honeysuckle pattern in longmen grottoes with the style of yungang gradually transferred to the southern slim,delicate new fashion,finally achieve the localization of the honeysuckle decoration.Xiongtang mountain grottoes built in the northern qi period are important cultural landmarks in our province.This paper,on the basis of combing the history of cave 9(big Buddha cave),cave 4(shakya cave),cave 3(jingjing cave)and cave south xiongtang,makes an understanding of the honeyhoneyle pattern throughout the caves.Ring hall honeysuckle pattern appeared in the Buddha's light,mountain grottoes grottoes column,base,wat door etc,presented a kind of different from northern wei's dambulla cave temple decorate the fault type of the new style,new honeysuckle lines from many aspects,such as lines,structure,modelling and elements,both present an exceptionally smooth,full,bright and beautiful,elegant gesture,the unique charm of development to the mature stage.The honeysuckle pattern of xiangtang mountain is characterized by the use of a large number of images such as Buddha,monizhu,lotus leaf,lotus and lotus bud.The changes of these features and the innovation of the combination of elements were completed in the context of sino-foreign exchanges and ethnic integration,under the comprehensive influence of the social and cultural factors such as the spread of gupta art in India,the anti-han and anti-hu political power classes,the disappearance of the noble class in the southern dynasty,and the popularity of the folk pure land belief.On the basis of typology comparison and arrangement,this paper analyzes the influence of social culture on decorative elements and styles by means of imagology.The complex honeysuckle lines of Buddha,lotus and lotus leaves originated in the northern wei dynasty and were brighter than those of the northern qi dynasty.They were also influenced by Indian gupta art that entered the central plains from the maritime silk road.The popularity of the pure land belief and huayan thought in the area of yecheng,north qi,promoted the great popularity of lotus patterns and the explosive appearance of various "lotus honeysuckle patterns",which made outstanding artistic achievements.The double layer structure honeysuckle pattern is a new style which was formed by absorbing the traditional roll pattern style of the central plain in the han dynasty.From the late eastern wei dynasty to the early northern qi dynasty,it is the time node of the transition from single layer to double layer.The "bunched honeysuckle pattern" with honeysuckle,lotus,lotus leaf,monizhu vertical extension superposition "bunched honeysuckle pattern" is the influence of the slender and long decoration style in the southern dynasty."Three walls and three niches" buddhist grottoes promote the expression of honeysuckle lines on the base.Xiangtangshan grottoes has the honeysuckle shape with the rubeform meaning of curled-grass pattern in sui and tang dynasties,which is of positive significance for the diversification development of plant patterns in sui and tang dynasties.The city needs a landscape with profound cultural connotation,and the traditional decorative decoration with balanced composition and beautiful shape is a decorative art system with national culture that cannot be abandoned by modern design.At present,the application of traditional ornamentation in modern landscape is often a simple copy of the "body style",which often results in a landscape space with no god shape and duplicity.Sequence in this paper,in the period of the northern dynasties honeysuckle pattern development were discussed,especially for our province ring hall mountain grottoes honeysuckle lines mainly into the cultural connotations of interpretation,on the basis of in honeysuckle lines for inspiration,to refine,deformation,split,reorganization,use of modern materials and technique to endow them with new value,the traditional culture pattern genes into modern landscape design,finishing the design of an urban waterfront landscape space.In the design case,the author tries to find a way to combine traditional decoration with modern landscape,which provides a new idea for the regional and cultural design of modern landscape space.