A Non-Remaining Image Study Of Silver Forging Techniques Of Miao Nationality In Western Hunan

As an important spiritual pillar of a nation,intangible cultural heritage is the essence of traditional culture in the history of Chinese civilization,which records the development and spiritual inheritance of national culture.The ecological environment of traditional forging technology has been seriously damaged.The traditional manufacturing technology has been followed by few people and the road of inheritance is bumpy.As a result,intangible cultural heritage has gradually faded out of people's vision,buried and even lost its skills.How to effectively protect and inherit intangible cultural heritage has become an urgent problem to be solved.According to the author's understanding,in recent years,as one of the main ways of disseminating and displaying intangible cultural heritage,non-heritage image exhibition has become the mainstream of dissemination with the high integration of media,which has produced good results and created favorable conditions for the protection of intangible cultural heritage.A large number of non-legacy works are presented in front of the public,but the homogeneity of works is serious,lack of innovation,annual output of works is not proportional to the "quantity" and "quality",and there is no specific evaluation criteria in the industry,less research in this direction in academia,in the absence of evaluation criteria and theoretical guidance,over time,is not conducive to the protection of intangible cultural heritage.And inheritance.Through the analysis and understanding of the development of intangible images and other related theories,combined with the graduation work "The Story of a Hammer",the article deeply analyses the material selection,production tools,classification and cultural value of Miao silver jewelry itself.Then,according to the communication with craftsmen during the shooting process,it reflects the Miao silver jewelry in Western Hunan.The forging technology has similarities and differences with other places.The last part of this paper is the author's practical process.It gives a three-dimensional introduction from different angles,such as preparation,shooting and editing.It transforms the theory into practice and forms a model for future non-legacy film production,providing technical reference for relevant production.Through the non-relic image production of The Story of a Hammer,this paper focuses on the integration of digital image and silver forging techniques of Miao nationality in Western Hunan,so as to fit in with achieve the purpose of culturalheritage revitalization,and highlight the influence of regionalization on silver forging techniques of Miao nationality in Western Hunan.In order to spread the silver forging skills of the Miao people in Western Hunan,we hope that we can really inherit in the communication and develop in the inheritance.