Research On Evolution Of Modern Han Women’s Shoes From The Perspective Of Women’s Culture

The content of modern women’s shoes culture of Han nationality is the sum of material and intangible culture created by Han nationality in the process of modern historical development.The social development history of these women’s shoes has distinct nationality,artistic expression,folklore and epoch.Its cultural connotation is mainly reflected in the national thought,social aesthetic concept and political economy in the process of national development.This thesis adopts sociology,anthropology,art,design,image and other research methods to study the evolution of modern Han women’s shoes from the perspective of women’s culture.From a horizontal perspective,modern Han women’s shoes are mainly divided into five types: foot-binding shoes,Fangzu shoes,Tianzu shoes,shoes with western elements and western women’s shoes.Foot-binding shoes,as a traditional female shoe of Han nationality,has been developing for thousands of years.Fangzu shoes are the shape of women’s shoes that appeared and existed in this special historical period in modern times.Tianzu shoes are a new type of women’s shoes,which replaces the foot-binding shoes and gradually evolved into a common style for Han women’s shoes.Shoes with western elements and western-style women’s shoes are different degrees of response to the spread and intervention of modern Western costume culture.One is improvement and transition,and the other is direct and thorough.From the perspective of time,there is a multi-dimensional evolution between the five shoe types.One-dimensional is the gradual change of the bow shoes from "bending the bow" to "straight",and one-dimensional is the transformation from bow shoes to putting shoes.One dimension is a sudden change from bow shoes to Tianzu shoes.The research pointed out that the women’s shoes of the modern Han people have been in a dynamic process of evolution,and this evolution is a coexisting complex situation in space,especially in the Republic of China.This evolution and coexistence are closely related to the ethnic background,political environment,economic life and cultural system of modern women.In modern times,with the semantics of the foot-binding symbol changed from "national glory" to "national shame",the semantics of the Tianzu symbol was constructed.In the process,women’s shoes have experienced the political system of the emperor’s criticism of the bow shoes and the legislativeization of the Republic of China.In economic terms,it has gradually evolved into a binary opposition between “coastal and inland” and “urban and rural”.The establishment of the trade port has brought the popularity of women’s shoes,while the traditional farming life provides space for the retention of traditional women’s shoes.In culture,the normative culture of Confucian ethics has been strongly questioned and criticized,and Western democracy and free civilization have become the mainstream of the system.These many social factors have finally contributed to the evolution of women’s shoes and customs such as the decline of the foot,the emergence of the foot,and the prevalence of the world.In the process of the evolution of modern women’s shoes,with the changes of society,a large number of female thought elements emerged.The first is the female body language.By restoring the sound at that time,the thesis objectively explained the "tired" and "use" of traditional bow shoes and new high-heeled shoes,focusing on the existence of "tired" representing fashionable high-heeled shoes and the undeniability of its "use".Second is the transformation of women’s aesthetic thinking.The paper introduces the aesthetic model of high-end bow shoes in the feudal period,the collapse of "mysterious beauty" after the foot-binding is exposed,the cancellation of the "weak and thin" aesthetic,and the choice of "natural health" aesthetics.This is a natural,humanistic aesthetic evolution.Then there is the subjective consciousness of women.The subject studied the evolution of female consciousness from “obedience” to “independence” and from “unemployment” to “business”.During the period,the types,shapes and popularity of women’s shoes have completely evolved.Finally,the symbolic meaning of the evolution of women’s shoes is interpreted and reflected.The thesis reflects on the shaping and management of female subjective initiative,and reflects on the aesthetic orientation from the foot-binding to the plastic surgery at the expense of female physiology.It is best to propose the ideal aesthetic value of modern women’s individualization,diversification and dynamic from the perspective of aesthetics.