Sichuan Anyue Piludong Shuiyue Guanyin Statue Style Research

Buddhist sculpture is one of the most essensal factors of ancient Chinese sculpture.Guanyin is also the most common subject in Buddhist sculpture.The Buddhist sculpture of the Song Dynasty in Sichuan is a key turning point in the formation of Chinese Buddhist sculpture style.There are many high-level works of art both in the form of gods and gods.The Buddhist sculptures of Sichuan have a bearing on the formation of Chinese ancient Buddhist sculptures,Sculpture history is of great significance.This paper takes the statue and form analysis of the research on the image source,style and image space of the statues,To further tap the meaning of its statues behind the implication.The first chapter explains the origin of the image of the water on Guanyin,and has a comprehensive understanding of the teachings of Buddhism.Followed by the analysis of the statues of Guanyin sculpture on the Yueyang Panglu hole in Sichuan province.First from the good combination of Goddess of Mercy and then from the symbol of the authority of the crown,to the symbol of luxury Ying Luo,and then to symbolize the solemn of their own,so extremely must clothes.To clarify the characteristics of secularization and the characteristics of style in the form of further analysis and the origin of the style.In the last chapter,we analyze all the statues of the statues and the spatial performance of the statues.Through the formal analysis,we clearly see that the Songs of the Song Dynasty has developed towards the diversified trend in statues.Finally,this article takes the four basic problems of shape,space,movement and materials as a clue,traces the inner form of the sculpture style formation and evolution,and is associated with the external cultural environment that forms this style change.Is through the analysis of its style to explore the style behind the Guanyin belief.