The Ink And Nature Of Shen Zhou's "Dongzhuang Atlas"

In the course of development of landscape painting, the relationship between ink and nature is a permanent problem, which is the most essential problem. After several years of development, landscape painting has formed many representative ink form, these valuable experiences are the history of all the landscape painting master, in the understanding of nature, describes the nature in refined, landscape paintings from the reality, and the sketch is it the source of inexhaustible power. Therefore, this article from the documentary works of Shen Zhou's "Dongzhuang atlas" to start, through the reduction of "Dongzhuang atlas" creation background, and its control in "Dongzhuang atlas" artistic characteristics, trying to comprehensive interpretation of "ink" Dongzhuang atlas and nature, and thus provide a useful reference to contemporary landscape painting.This paper mainly studies from five aspects, the first chapter mainly elaborates the basis and significance of the topic, from many aspects, objectively discusses the background significance, innovation and shortcomings, clear the topic to solve the problem. The second chapter discusses the system of relationship between ink and natural landscape paintings, including landscape painting tradition, the relationship between ink and natural landscape painting, landscape painting and the inheritance and change of the expression of relationship between ink and nature, for the following to Shen Zhou "Dongzhuang atlas" as an example, a solid theoretical foundation to explore the landscape in ink and nature relationship. The characteristics of the ink and the third chapter of Shen Zhou's life and natural style of painting, from the perspective of Shen Zhou's personality and background, his style of painting, the important role of these cultural and natural factors play, thus obtains the characteristics and nature of Shen Zhou's painting style in painting. The relationship between the expression of ink and natural fourth chapter in "Shen Zhou" Dongzhuang atlas, through consideration and analysis of Shen Zhou's "Shen Zhou" of "Dongzhuang atlas," in Dongzhuang atlas ink and natural relation of the expression, the expression of artistic expression, mainly from the painting aesthetic conception, the specific expression of these two aspects in the "Shu Shenzhou" Dongzhuang atlas the relationship between ink and nature. The final conclusion, transport the ancient text, written in front of the exit, to express the mind, modern landscape painting should be a hand to the ancients, hand toward life, in the life of the true portrayal of promoting the continuous progress of ink form.