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On Shen Zhou "dongzhuang Atlas Objectivity And Pure Wind

Posted on:2011-04-01Degree:MasterType:Thesis
Country:ChinaCandidate:K ZhaoFull Text:PDF
GTID:2205360305966799Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
Chinese traditional painting always focus on expressing the subjective feelings of self-meaning. Therefore, it's called "Imagery of itself. Based on this subjective sense,a very strong aesthetic concept, artists pursue the art of life and thoughts, and feelings being reflected on the deep vague and remote. But Shen Zhou's "Dongzhuang Atlas" is the description of the scenery and the pure objectivity of aesthetic style, a strong tradition of landscape painting under the former distribution of the simple, quiet, elegant flavor of the times. Even more its objective, pure spirit of art gives future generations a unique aesthetic value and aesthetic inspiration. And this aesthetic phenomenon is not accidental and isolated. There is a close relationship between this and the mid-Ming Dynasty social change, especially in philosophy, religion and cultural development. We should be concerned with all aspects of contemporary life, facing increasing Westernization contemporary material life and spiritual values of the field, caring for people's living environment as well as current mental and psychological state. Maybe it is all about Shen Zhou and his "Dongzhuang Atlas" in our day on the side of the scene that see things in art language and forms of inquiry.
Keywords/Search Tags:Shen Zhou, "Dongzhuang Atlas", objective, pure, tradition
PDF Full Text Request
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